And this uproar, he now perceived, was composed entirely of wind and
fire. Here, on the roof of the hills beneath a starry sky, these two
great elements expressed their nature with unhampered freedom, for
there was neither rain to modify the one, nor solid obstacle to check
the other. Their voices merged in a single sound--the hollow boom of
wind and the deep, resounding clap of flame. The splitting crackle
of burning branches imitated the high, shrill whistle of the tearing
gusts that, javelin-like, flew to and fro in darts of swifter sound.
But one shout rose from the summit, no human cry distinguishable in it,
nor amid the thousand lines of skeleton wood that pierced the golden
background was any human outline visible. Fire and wind encouraged one
another to madness, manifesting in prodigious splendour by themselves.
Then, suddenly, before a gigantic canter of the wind, the driving smoke
rolled upwards like a curtain, and the flames, ceasing their wild
flapping, soared steadily in gothic windows of living gold towards the
stars. In towering rows between columns of black night they transformed
the empty space between them into a colossal temple aisle. They
tapered aloft symmetrically into vanishing crests. And Hendricks stood
upright. Rising so that his shoulders topped the edge of the boulder,
and utterly contemptuous of Leysin’s hand that sought with violence to
drag him into shelter, he gazed as one who sees a vision. For at first
he could only stand and stare, aware of sensation but not of thought.
An enormous, overpowering conviction blew his whole being to white
heat. Here was a supply of elemental power that human beings--empty,
needy, starved, deficient human beings--could use. His love for the boy
leaped headlong at the skirts of this terrific salvation. A majestic
possibility stormed through him.
Public-domain text, read in full here on John Shaqi.
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