Yet it was no nightmare wonder that met his staring and half-shielded
eyes, although some touch of awful dream seemed in it, set, moreover,
to a scale that scantier minds might deem distortion. The heat from
some thirty fires, placed at regular intervals, made midnight quiver
with immense vibrations. Of varying, yet calculated size, these
towering heaps emitted notes of measured and alternating depth, until
the roar along the entire line produced a definite scale almost of
melody, the near ones shrilly singing, those more distant booming with
mountainous pedal notes. The consonance was monstrous, yet conformed to
some magnificent diapason. This chord of fire-music paced the starlit
sky, directed, but never overmastered, by the wind that measured it
somehow into meaning. Repeated in quick succession, the notes now
crashing in a mass, now singing alone in solitary beauty, the effect
suggested an idea of ordered sequence, of gigantic rhythm. It seemed,
indeed, as though some controlling agency, mastering excess, coerced
both raging elements to express through this stupendous dance some
definite idea. Here, as it were, was the alphabet of some natural,
undifferentiated language, a language of sight and sound, predating
speech, symbolical in the ultimate, deific sense. Some Lord of Fire
and some Lord of Air were in command. Harnessed and regulated, these
formless cohorts of energy that men call stupidly mere flame and wind,
obeyed a higher power that had invoked them, yet a power that, by
understanding their laws of being, held them most admirably in control.
Public-domain text, read in full here on John Shaqi.
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