When the church at Yerandawana was building, the first indication that its unusual design commended itself to the Indian mind was that passers-by began to stop and look at it. You need to be familiar with the Indian's state of oblivion concerning his surroundings, already referred to, in order to understand the force of this. To pause and gaze at a big building in process of erection is, with most people, a natural and obvious thing to do; especially if time is of no object and the design of the building a novelty. But not so the Indian. To gradually slacken his pace, to turn and look, to pause and discuss, was an indication that new and unwonted impressions were being made on the Indian mind. The effect increased as the building approached completion. Few people passed without regarding it attentively. Many looked back to take another view before they had got out of sight. And although, to the villagers at any rate, the church is now a familiar object, many of them still seem to find a pleasure in looking up at it as they go by. Its interior never fails to impress Hindus of whatever age or station, and it has become a valuable agent in the work of pioneer evangelisation. People who enter the church in an easygoing way are impelled to reverence and subdued tones at the sight of its domes, and the many arches in the massive walls, combined with its extreme simplicity. Controversial Hindus drop their controversy, and find themselves uttering expressions of surprised pleasure. Young children are so attracted by the church that they ask to visit it again and again. Often when a Hindu boy comes and asks for pictures for the first time, some of the old stagers will suggest that he must see the church, and they are eager to display their knowledge of our religious ways by explaining to him the meaning of what he finds there. [Illustration: YERANDAWANA CHURCH FROM A DISTANCE.]