France -- Fiction; Man-woman relationships -- Fiction; Marriage -- Fiction; Women -- France -- Fiction
Thus it was not until after he had accepted all the proofs of her love
that he began to suspect the existence of that love. Then he repented,
but it was too late; he must either resign himself to what the future
might have in store, or retreat like a coward toward the past. Raymon
did not hesitate; he allowed himself to be loved, he loved in return for
gratitude; he scaled the walls of the Delmare estate from love of
danger; he had a terrible fall from awkwardness; and he was so touched
by his lovely young mistress's grief that he deemed himself justified
thenceforth in his own eyes in continuing to dig the pit into which she
was destined to fall.
When he had recovered, winter had no storms, darkness no perils, remorse
no stings which could deter him from passing through the corner of the
forest to meet the young creole and swear to her that he had never loved
any other woman; that he preferred her to the queens of society, and a
thousand other exaggerations which will always be fashionable with poor
and credulous maidens. In January Madame Delmare went to Paris with her
husband; Sir Ralph Brown, their excellent neighbor, betook himself to
his own estate, and Noun, being left in charge of her master's country
house, was able to absent herself on various pretexts. It was
unfortunate for her, and this facility of intercourse with her lover
greatly abridged the ephemeral happiness which she was destined to
enjoy. The forest with its poetic shadows, its arabesques of hoar-frost,
its moonlight effects, the mysterious going and coming by the little
gate, the furtive departure in the morning when Noun's little feet, as
she accompanied him to the gate, left their prints on the snow in the
park--all these accessories of an amorous intrigue served to prolong
Monsieur de Ramière's intoxication. Noun, in white _déshablilé_, with
her long black hair for ornament, was a lady, a queen, a fairy; when he
saw her come forth from that red brick castle, a heavy, square structure
of the time of the Regency, with a semi-feudal aspect, he could easily
fancy her a châtelaine of the Middle Ages, and in the summerhouse
filled with rare flowers, where she made him drunk with the seductions
of youth and passion, he readily forgot all that he was destined to
remember later.
Public-domain text, read in full here on John Shaqi.
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