France -- Fiction; Man-woman relationships -- Fiction; Marriage -- Fiction; Women -- France -- Fiction
If he had really loved her, he could, by sacrificing to her his future,
his family and his reputation, still have found happiness, and,
consequently, have made her happy; for love is a contract no less than
marriage. But, his ardor having cooled as he felt that it had, what
future could he create for her? Should he marry her and display day
after day a gloomy face, a cold heart, a comfortless home? Should he
marry her and make her odious to her family, contemptible in the eyes of
her equals, and a laughing-stock to her servants; take the risk of
introducing her in a social circle where she would feel that she was out
of place; where humiliation would kill her; and, lastly, overwhelm her
with remorse by forcing her to realize all the trials she had brought
upon her lover?
No, you will agree with him that it was impossible, that it would not
have been generous, that a man cannot contend thus with society, and
that such heroic virtue resembles Don Quixote breaking his lance against
a windmill; an iron courage which a breath of wind scatters; the
chivalry of another age which arouses the pitying contempt of this age.
Having thus weighed all the arguments, Monsieur de Ramière concluded
that it would be better to break that unfortunate bond. Noun's visits
were beginning to be painful to him. His mother, who had gone to Paris
for the winter, would not fail to hear of the little scandal before
long. Even now she was surprised at his frequent visits to Cercy, their
country estate, and at his passing whole weeks there. He had, to be
sure, alleged as a pretext, an important piece of work which he was
finishing away from the noise of the city; but that pretext was
beginning to be worn out. It grieved Raymon to deceive so kind a mother,
to deprive her for so long a time of his filial attentions; and--how
shall I tell you?--he left Cercy and did not return.
Noun wept and waited, and as the days and weeks passed, unhappy creature
that she was, she ventured so far as to write. Poor girl! that was the
last stroke. A letter from a lady's maid! Yet she had taken
satin-finished paper and perfumed wax from Madame Delmare's desk, and
her style from her heart. But the spelling! Do you know how much energy
a syllable more or less adds to or detracts from the sentiments? Alas!
the poor half-civilized girl from Ile Bourbon did not know even that
there were rules for the use of language. She believed that she wrote
and spoke as correctly as her mistress, and when she found that Raymon
did not return she said to herself:
"And yet my letter was well adapted to bring him."
Public-domain text, read in full here on John Shaqi.
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