France -- Fiction; Man-woman relationships -- Fiction; Marriage -- Fiction; Women -- France -- Fiction
We have said that Sir Ralph was an extremely comely person, physically;
with a red and white complexion and abundant hair, a tall figure, always
perfectly dressed, and capable, if not of turning a romantic brain, of
satisfying the vanity of an unromantic one. The peaceable baronet was
represented in hunting costume, about as we saw him in the first chapter
of this narrative, and surrounded by his dogs, the beautiful pointer
Ophelia in the foreground, because of the fine silver-gray tone of her
silky coat and the purity of her Scotch blood. Sir Ralph had a
hunting-horn in one hand and in the other the rein of a superb,
dapple-gray English hunter, who filled almost the whole background of
the picture. It was an admirably executed portrait, a genuine family
picture with all its perfection of detail, all its puerile niceties of
resemblance, all its bourgeois minutiæ; a picture to make a nurse weep,
dogs bark and a tailor faint with joy. There was but one thing on earth
more insignificant than the portrait, and that was the original.
Nevertheless it kindled a violent flame of wrath in Raymon.
"Upon my word!" he said to himself, "this dapper young Englishman enjoys
the privilege of being admitted to Madame Delmare's most secret
apartment! His vapid face is always here, looking coldly on at the most
private acts of her life! He watches her, guards her, follows her every
movement, possesses her every hour in the day! At night he watches her
asleep and surprises the secret of her dreams; in the morning, when she
comes forth, all white and quivering, from her bed, he sees the dainty
bare foot that steps lightly on the carpet; and when she dresses with
all precaution--when she draws the curtains at her window and forbids
even the daylight from entering her presence too boldly--when she
believes that she is quite alone, hidden from every eye--that insolent
face is there, feasting on her charms! That man, all booted and spurred,
presides over her toilet. Is this gauze usually spread over the
picture?" he asked the maid.
"Always," she replied, "when madame is absent. But don't take the
trouble to replace it, for madame is coming in a few days."
"In that case, Noun, you would do well to tell her that the expression
of the face is very impertinent. If I had been in Monsieur Delmare's
place I wouldn't have consented to leave it here unless I had cut out
the eyes. But that's just like the stupid jealousy of the ordinary
husband! They imagine everything and understand nothing."
"For heaven's sake, what have you against good Monsieur Brown's face?"
said Noun, as she made her mistress's bed; "he is such an excellent
master! I used not to care much for him, because I always heard madame
say that he was selfish; but ever since the day that he took care of
you----"
"True," Raymon interrupted her, "it was he who helped me that day; I
remember him perfectly now. But I owe his interest only to Madame
Delmare's prayers."
Public-domain text, read in full here on John Shaqi.
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