Now sounds a hurried noise, much clatter and scuffling, as the Snake
priests approach. They burst into the plaza as if determinedly
answering a call to battle. They are headed by the most robust of the
clan, large powerful men. With rigid faces, fixedly staring, their
elbows set as runners, they stride down the plaza. The crowd massed at
the far end is always in the way. The Snake priests must go to the
farthest end of this shelf on their first round, after which they
shorten each lap until four have been completed. The crowd must fall
back. It has no license to be there at all, and there is nothing in
Snake-clan etiquette signifying change because curiosity has come out
of the East. Their rushing single-file of men is projected straight at
the narrow end of the shelf. Finding that it was impossible to fix such
a throng in place, I would station two guards at that point to warn and
part the spectators. Just what would happen if the whites did not yield
is problematical. I recall that once the head-man of the dancers took
me in the side with his elbow. He did not stop to apologize. It was two
hundred rapidly moving pounds meeting much less than that. I did not
completely recover from the blow until the dance was over. A head-on
crack like that might propel one over the cliff.
These Snake priests are nude to the waist, their upper bodies daubed in
black, with the lightning sign traced in white. Their hair is
disheveled and streaming, and crowned with red feathers. About their
eyes are reddish smears, and a circle of white is thickly painted about
each mouth. They wear ornamented kilts of knee-length, and moccasins;
and with some show of uniformity each man packs all the trumpery the
clan has adopted as part of its regalia. They have armlets and
bracelets of silver, and necklaces of many strands—beads and bone and
turquoise. From the rear of each belt dangle one or more handsome
fox-skins. Fastened just below the right-leg knee are curious clappers
made of tortoise shells. Thus, as they stride tumultuously about, there
sounds above the dry rattling of the Antelope gourds all the hurried
clatter of this moving harness.
Each time they pass the kisi they stamp fiercely on the board. It gives
back a hollow sound. And perhaps the snakes of former spectacles know
that they will soon be wanted on deck. “All hands aloft!”
Public-domain text, read in full here on John Shaqi.
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