Dominating the foreground was Squash Blossom Butte, an inverted bloom
that the storms of æons had carved and a million rare sunsets tinted.
The Indians reverence the squash blossom as a symbol of fruition, and
perhaps—who knows—in its delicate bell-shaped flower they see more than
the mere promise of a harvest. It is found in Navajo silver-work,
strung into those massive necklaces of which they are so proud; and
when one goes into Hopi land he finds it imitated in the dressing of
their maidens’ hair. So they named this altar.
It was commanding in the morning light; it was the last thing seen down
the valley, a scarlet head thrust into a sober sky, as that second
night came on. The sunset lavished all its rainbow shades on it.
Richest gold and lavender above, purple tones and lava-green below;
bands of saffron melting into slatey shades; emerald and crimson
deepening into jetty blacks when the afterglow had vanished. An aged
throne of the gods. And clearly sweet, as desert music, came the
half-hushed sound of sheep moving among the cedars; and a young Navajo
girl paused at the edge of a thicket to gaze shyly at our cabin, then
to hurry away, the tiny bells at her belt tinkling, having all the
romance of the gypsies.
There is no finer landscape in the Southwest than this seldom-visited
country of the Moqui Buttes where, according to the Hopi, the one-time
giants had their dwelling places. The wondrous piles and pinnacles of
the Grand Cañon present a chaotic struggle that has ceased in all its
awesome disorder and aged grandeur. It makes man gasp and wonder, but
it does not invite the smile of reverie. This scene about the sunset
throne had that serenity born of isolation. It was small enough to
invite intimacy. Like the kingdom of a fairy tale, the tranquil valley
encompassed its own world, dreaming, smiling in its sleep.
Many times since have I crossed the Butte country, seeing it frozen in
winter and again broiling under a summer sun that scorched from the
cedars their sweetest aromas. I have always found it a haven, full of
peace.
Next day we returned to the Agency, an uneventful retreat, save for a
jouncing box of dynamite that leaped like a thing fiendishly alive
whenever the wheels slammed into a rut. My nerves were not in the best
shape. I had been smoking powdered alfalfa in a pipe. And I would look
back from the high seat, half fearing each time to catch that dynamite
in the very act of going off. But luck was with us; we herded it safely
into the Agency storehouse; and I rushed to the post for a can of real
tobacco.
VII
THE FIRST BALL OF THE SEASON
Public-domain text, read in full here on John Shaqi.
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