International Language and Science: Considerations on the Introduction of an International Language into ScienceCouturat, Louis
Science
International Language and Science: Considerations on the Introduction of an International Language into Science
Couturat, Louis
Communication in science; Language, Universal
Esperanto_, to be sacrosanct, and go so far in this matter as to
revere as "correct" and "classical" Esperanto the infringements of
his own rules, the grammatical errors, and even the misprints to be
found in the _Fundamento_.
The idea of a powerful organisation has undoubtedly at first
sight something very attractive about it. One must, however, not
forget, even in the case of an international language, that no
organisation in the world can arrest the progress of a necessary
development. Every human contrivance and invention is subject to
change, errors and deficiencies being corrected. Especially is
a rational development inevitable in the case of things, such
as an international language, which are subject to the control
of our intelligence. Conversely it is not difficult to reply to
the question, How is it then possible, when a system has once
been chosen, to carry it out and preserve it? For there are two
fundamental qualities which, happily for us, are apparent in
the history of inventions, and each of which confers stability
quite apart from any conventions, namely, a high degree of
rational development based on the most profound knowledge and an
extraordinary empirical perfection. As examples of the latter may
be mentioned the notation of music, which since Guido d'Arezzo
(born in 990), or at any rate since Johann Sebastian Bach, has not
appreciably changed; the division of time into twenty-four hours
and of the hour into sixty minutes, which is at least three hundred
years old; the face, mechanism, and hands of a watch, which date,
with unimportant changes, from the Renaissance; and, finally, the
violin, which retains up to the present day the characteristic form
which the ancient Italians gave it. Is it not wonderful that this
strangely carved piece of wood must possess just that particular
form in order to yield its harmonious tones?
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