Among these modern worthies, there were two old bearded Saints, who had
almost vanished into the darkening canvas. There was also a pale but
unfaded Madonna, who had perhaps been worshiped in Rome, and now
regarded the lovers with such a mild and holy look that they longed to
worship too.
"How singular a thought," observed Walter Ludlow, "that this beautiful
face has been beautiful for above two hundred years! Oh, if all beauty
would endure so well! Do you not envy her, Elinor?"
"If earth were heaven, I might," she replied. "But where all things
fade, how miserable to be the one that could not fade!"
"This dark old St. Peter has a fierce and ugly scowl, saint though he
be," continued Walter. "He troubles me. But the virgin looks kindly
at us."
"Yes; but very sorrowfully, methinks," said Elinor. The easel stood
beneath these three old pictures, sustaining one that had been recently
commenced. After a little inspection, they began to recognize the
features of their own minister; the Rev. Dr. Colman, growing into shape
and life as it were, out of a cloud.
"Kind old man!" exclaimed Elinor. "He gazes at me as if he were about
to utter a word of paternal advice."
"And at me," said Walter, "as if he were about to shake his head and
rebuke me for some suspected iniquity. But so does the original. I
shall never feel quite comfortable under his eye, till we stand before
him to be married."
They now heard a footstep on the floor, and turning, beheld the
painter, who had been some moments in the room, and had listened to a
few of their remarks. He was a middle-aged man, with a countenance
well worthy of his own pencil. Indeed, by the picturesque though
careless arrangement of his rich dress, and, perhaps, because his soul
dwelt always among painted shapes, he looked somewhat like a portrait
himself. His visitors were sensible of a kindred between the artist
and his works, and felt as if one of the pictures had stepped from the
canvas to salute them.
Walter Ludlow, who was slightly known to the painter, explained the
object of their visit. While he spoke, a sun-beam was falling athwart
his figure and Elinor's, with so happy an effect that they also seemed
living pictures of youth and beauty, gladdened by bright fortune. The
artist was evidently struck.
"My easel is occupied for several ensuing days, and my stay in Boston
must be brief," said he, thoughtfully; then, after an observant glance,
he added, "but your wishes shall be gratified, though I disappoint the
Chief-Justice and Madam Oliver. I must not lose this opportunity, for
the sake of painting a few ells of broadcloth and brocade."
Public-domain text, read in full here on John Shaqi.
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