The painter expressed a desire to introduce both their portraits into one picture, and represent them engaged in some appropriate action. This plan would have delighted the lovers, but was necessarily rejected, because so large a space of canvas would have been unfit for the room which it was intended to decorate. Two half-length portraits were therefore fixed upon. After they had taken leave, Walter Ludlow asked Elinor, with a smile, whether she knew what an influence over their fates the painter was about to acquire. "The old women of Boston affirm," continued he, "that after he has once got possession of a person's face and figure, he may paint him in any act or situation whatever--and the picture will be prophetic. Do you believe it?" "Not quite," said Elinor, smiling. "Yet if he has such magic, there is something so gentle in his manner that I am sure he will use it well." It was the painter's choice to proceed with both the portraits at the same time, assigning as a reason, in the mystical language which he sometimes used, that the faces threw light upon each other. Accordingly, he gave now a touch to Walter, and now to Elinor, and the features of one and the other began to start forth so vividly that it appeared as if his triumphant art would actually disengage them from the canvas. Amid the rich light and deep shade they beheld their phantom selves. But, though the likeness promised to be perfect, they were not quite satisfied with the expression; it seemed more vague than in most of the painter's works. He, however, was satisfied with the prospect of success, and being much interested in the lovers, employed his leisure moments, unknown to them, in making a crayon sketch of their two figures. During their sittings, he engaged them in conversation, and kindled up their faces with characteristic traits, which, though continually varying, it was his purpose to combine and fix. At length he announced that at their next visit both the portraits would be ready for delivery. "If my pencil will but be true to my conception, in the few last touches which I meditate," observed he, "these two pictures will be my very best performances. Seldom, indeed, has an artist such subjects." While speaking, he still bent his penetrative eye upon them, nor withdrew it till they had reached the bottom of the stairs.