Interpretations of Poetry and ReligionSantayana, George
Religion
Interpretations of Poetry and Religion
Santayana, George
Aesthetics; Literature -- History and criticism; Poetry; Religion
Mysticism, as we have said, is the surrender of a category of thought
because we divine its relativity. As every new category, however, must
share this reproach, the mystic is obliged in the end to give them all
up, the poetic and moral categories no less than the physical, so that
the end of his purification is the atrophy of his whole nature, the
emptying of his whole heart and mind to make room, as he thinks, for
God. By attacking the authority of the understanding as the organon
of knowledge, by substituting itself for it as the herald of a deeper
truth, the imagination thus prepares its own destruction. For if the
understanding is rejected because it cannot grasp the absolute, the
imagination and all its works--art, dogma, worship--must presently be
rejected for the same reason. Common sense and poetry must both go by
the board, and conscience must follow after: for all these are human
and relative. Mysticism will be satisfied only with the absolute, and
as the absolute, by its very definition, is not representable by any
specific faculty, it must be approached through the abandonment of all.
The lights of life must be extinguished that the light of the absolute
may shine, and the possession of everything in general must be secured
by the surrender of everything in particular.
The same diffidence, however, the same constant renewal of sincerity
which kept Emerson's flights of imagination near to experience, kept
his mysticism also within bounds. A certain mystical tendency is
pervasive with him, but there are only one or two subjects on which
he dwells with enough constancy and energy of attention to make his
mystical treatment of them pronounced. One of these is the question
of the unity of all minds in the single soul of the universe, which
is the same in all creatures; another is the question of evil and
of its evaporation in the universal harmony of things. Both these
ideas suggest themselves at certain turns in every man's experience,
and might receive a rational formulation. But they are intricate
subjects, obscured by many emotional prejudices, so that the labour,
impartiality, and precision which would be needed to elucidate them are
to be looked for in scholastic rather than in inspired thinkers, and in
Emerson least of all. Before these problems he is alternately ingenuous
and rhapsodical, and in both moods equally helpless. Individuals
no doubt exist, he says to himself. But, ah! Napoleon is in every
schoolboy. In every squatter in the western prairies we shall find an
owner--
"Of Caesar's hand and Plato's brain,
Of Lord Christ's heart, and Shakespeare's strain."
Public-domain text, read in full here on John Shaqi.
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