Interpretations of Poetry and ReligionSantayana, George
Religion
Interpretations of Poetry and Religion
Santayana, George
Aesthetics; Literature -- History and criticism; Poetry; Religion
But how? we may ask. Potentially? Is it because any mind, were it
given the right body and the right experience, were it made over, in a
word, into another mind, would resemble that other mind to the point
of identity? Or is it that our souls are already so largely similar
that we are subject to many kindred promptings and share many ideals
unrealizable in our particular circumstances? But then we should simply
be saying that if what makes men different were removed, men would be
indistinguishable, or that, in so far as they are now alike, they can
understand one another by summoning up their respective experiences
in the fancy. There would be no mysticism in that, but at the same
time, alas, no eloquence, no paradox, and, if we must say the word, no
nonsense.
On the question of evil, Emerson's position is of the same kind. There
is evil, of course, he tells us. Experience is sad. There is a crack
in everything that God has made. But, ah! the laws of the universe
are sacred and beneficent. Without them nothing good could arise. All
things, then, are in their right places and the universe is perfect
above our querulous tears. Perfect? we may ask. But perfect from what
point of view, in reference to what ideal? To its own? To that of a
man who renouncing himself and all naturally dear to him, ignoring
the injustice, suffering, and impotence in the world, allows his will
and his conscience to be hypnotized by the spectacle of a necessary
evolution, and lulled into cruelty by the pomp and music of a tragic
show? In that case the evil is not explained, it is forgotten; it is
not cured, but condoned. We have surrendered the category of the better
and the worse, the deepest foundation of life and reason; we have
become mystics on the one subject on which, above all others, we ought
to be men.
Public-domain text, read in full here on John Shaqi.
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