Interpretations of Poetry and ReligionSantayana, George
Religion
Interpretations of Poetry and Religion
Santayana, George
Aesthetics; Literature -- History and criticism; Poetry; Religion
Had he stopped to subject his opinion to metaphysical criticism, he
would not, I think, have found reason to change it. To subjectify
the universe is not to improve it, much less to dissolve it. The
space I call my idea has all the properties of the space I called
my environment; it has the same inevitable presence and the same
fundamental validity. Because it is a law of our intelligence that
two and two make four, and the implications of that law may be traced
by abstract thought, the world which is subject to that arithmetical
principle is not made more amenable to our higher demands than if it
had been arithmetical of its own sweet will. It is not made docile
by being called our creature. Indeed, what is less docile to us than
ourselves? what less subject to our correction than the foundations of
our own being? So when the Kantian philosophy teaches us to look upon
the enveloping universe as a figment of the understanding and on its
laws as results of mental synthesis and inference, we are still pursued
by the inevitable presence of that figment and confronted involuntarily
by that result. Nay, the conditions of our thought, like the
predispositions of our characters, are the most fatal and inexorable of
our limitations.
Why the world is as it is, whether of itself or by refraction in the
medium of our intellect, is not a question that affects the practical
moralist. What concerns him is that the laws of the world, whatever
their origin, are fixed and unchangeable conditions of our happiness.
We cannot change the world, even if we boast to have made it; we must
in any case learn to live with it, whether it be our parent or our
child. To veil its character with euphemisms or to supply its defects
with superstitious assumptions is a course unworthy of a brave man
and abhorrent to a prudent one. What we should do is to make a modest
inventory of our possessions and a just estimate of our powers in
order to apply both, with what strength we have, to the realization of
our ideals in society, in art, and in science. These will constitute
our Cosmos. In building it--for there is none other that builds it
for us--we shall be carrying on the work of the only race that has
yet seriously attempted to live rationally, the race to which we owe
the name and the idea of a Cosmos, as well as the beginnings of its
realization. We shall then be making that rare advance in wisdom which
consists in abandoning our illusions the better to attain our ideals.
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THE ELEMENTS AND FUNCTION OF POETRY
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