Interpretations of Poetry and ReligionSantayana, George
Religion
Interpretations of Poetry and Religion
Santayana, George
Aesthetics; Literature -- History and criticism; Poetry; Religion
Was Christianity right in saying that the world was made for man? Was
the account it adopted of the method and causes of Creation conceivably
correct? Was the garden of Eden a historical reality, and were the
Hebrew prophecies announcements of the advent of Jesus Christ? Did the
deluge come because of man's wickedness, and will the last day coincide
with the dramatic denouement of the Church's history? In other words,
is the spiritual experience of man the explanation of the universe?
Certainly not, if we are thinking of a scientific, not of a poetical
explanation. As a matter of fact, man is a product of laws which
must also destroy him, and which, as Spinoza would say, infinitely
exceed him in their scope and power. His welfare is indifferent to
the stars, but dependent on them. And yet that counter-Copernican
revolution accomplished by Christianity--a revolution which Kant should
hardly have attributed to himself--which put man in the centre of the
universe and made the stars circle about him, must have some kind of
justification. And indeed its justification (if we may be so brief on
so great a subject) is that what is false in the science of facts may
be true in the science of values. While the existence of things must
be understood by referring them to their causes, which are mechanical,
their functions can only be explained by what is interesting in their
results, in other words, by their relation to human nature and to
human happiness.
The Christian drama was a magnificent poetic rendering of this side
of the matter, a side which Socrates had envisaged by his admirable
method, but which now flooded the consciousness of mankind with
torrential emotions. Christianity was born under an eclipse, when the
light of Nature was obscured; but the star that intercepted that light
was itself luminous, and shed on succeeding ages a moonlike radiance,
paler and sadder than the other, but no less divine, and meriting no
less to be eternal. Man now studied his own destiny, as he had before
studied the sky, and the woods, and the sunny depths of water; and as
the earlier study produced in his soul--_anima naturaliter poeta_--the
images of Zeus, Pan, and Nereus, so the later study produced the
images of Jesus and of Mary, of Heaven and Hell, of miracles and
sacraments. The observation was no less exact, the translation into
poetic images no less wonderful here than there. To trace the endless
transfiguration, with all its unconscious ingenuity and harmony, might
be the theme of a fascinating science. Let not the reader fancy that in
Christianity everything was settled by records and traditions. The idea
of Christ himself had to be constructed by the imagination in response
to moral demands, tradition giving only the barest external points
of attachment. The facts were nothing until they became symbols; and
nothing could turn them into symbols except an eager imagination on the
watch for all that might embody its dreams.
Public-domain text, read in full here on John Shaqi.
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