Interpretations of Poetry and ReligionSantayana, George
Religion
Interpretations of Poetry and Religion
Santayana, George
Aesthetics; Literature -- History and criticism; Poetry; Religion
Protestantism in its vital elements was thus a perfectly new, a
perfectly spontaneous religion. The illusion that it was a return to
primitive Christianity was useful for controversial purposes and helped
to justify the iconoclastic passions of the time; but this illusion
did not touch the true essence of Protestantism, nor the secret of its
legitimacy and power as a religion. This was its new embodiment of
human ideals in imaginative forms, whereby those ideals became explicit
and found a remarkable expression in action. These ideals were quite
Teutonic and looked to inner spontaneity and outward prosperity; they
were more allied to those of the Hebrews than to those of the early
Christians, whose religion was all miracles, asceticism, and withdrawal
from the world. Indeed we may say that the typical Protestant was
himself his own church and made the selection and interpretation of
tradition according to the demands of his personal spirit. What the
Fathers did for the Church in the fourth century, the Reformers did for
themselves in the sixteenth, and have continued to do on the occasion
of their various appearances.
If we judge this interpretation by poetic standards, we cannot
resist the conclusion that the old version was infinitely superior.
The Protestant, with his personal resources, was reduced to making
grotesquely and partially that translation of moral life which the
Fathers had made comprehensively and beautifully, inspired as they
were by all the experience of antiquity and all the hopes of youthful
Christendom. Nevertheless, Protestantism has the unmistakable character
of a genuine religion, a character which tradition passively accepted
and dogma, regarded as so much external truth, may easily lose; it
is in correspondence with the actual ideals and instincts of the
believer; it is the self-assertion of a living soul. Its meagreness
and eccentricity are simply evidences of its personal basis. It is in
full harmony with the practical impulses it comes to sanction, and
accordingly it gains in efficiency all that it loses in dignity and
truth.
Public-domain text, read in full here on John Shaqi.
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