Introducing Irony: A Book of Poetic Short Stories and PoemsBodenheim, Maxwell
General
Introducing Irony: A Book of Poetic Short Stories and Poems
Bodenheim, Maxwell
American fiction -- 20th century; American poetry -- 20th century; Short stories, American
Eric Lane stopped in an alcove of pine trees; lifted a pack from his
back; pitched his tent; and broke dead pine branches across his knee.
There were scars on his face where philosophies had broken and died
and the beaming redundancy of one that survived. For Eric believed
that the visible and audible surface of man’s conduct and dreams,
when interpreted and compared, could reveal his frustrated hungers.
Metaphysics, to him, was a beggar rattling his chains into insincere
victories of sound--a beggar painting seraphs upon the strained
finality of his brain.
Eric looked up from his task of breaking dead pine branches. A first
shade of twilight climbed the mountain, like a dazed negro runner. The
mountain impassively confessed that its vehemence had been a lie. It
met the sky with an immense line of collapsed reticence. The waterfall
became the squirming of a white hermit who finds a black stranger
invading his cell. Twilight was a body gradually returning to the
festooned skeletons of the pine trees. The rocks were enticed into
attitudes--one was a giant fondling the spear that had wounded him;
another curved over like a gray serf who had broken his back. Eric
stared at a huge rock standing on the mountainside and outlined against
the distant base of a second mountain. It held the tensely embalmed
profile of a woman. Her rigidly woebegone features had withdrawn
from some devil’s cliff of desire; they made a line of incomplete
crucifixion. Her hidden eyes germinated into ghouls stealthily
absorbing the gray harvest of her face. Designed by a shattered surmise
her face retreated from the valley. Her forehead was like a sword
cracked in the middle; her nose and lips were the remains of an autopsy
on emotion. Demons and virgins had gained one grave in the grayness
assailing her face.
Eric regarded her at first with a celebrating scepticism; then
sallowness slowly marked his face into a hanging scroll of terror.
Lightness vanished from his black hair and it became a charred crown.
He tottered three steps in the direction of the rock-face and then,
with unannounced dexterity, a smile revived his face. The diminutive
city of his mind had sent its lord-mayor to restore him. Eric returned
to his task of breaking dead pine branches. The diminutive city of
his mind sent slender pæans into electric threads. Eric kindled the
branches into a fire, and a carnival of flames pirouetted into startled
death. Eric stretched his arms out, like a concubine stroking the walls
of her black tent, and his face became idly immobile. Then he altered
completely, in the leap of a moment, as though slipping from a loose
costume with infinite ease. His face stiffened into the unearthly
equilibrium of thought witnessing the torture of emotion. The fire, to
him, became a gaudy funeral-pyre. When sleep finally interfered with
his face he dropped slowly to the ground, like satiated revenge.
Public-domain text, read in full here on John Shaqi.
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