Introducing Irony: A Book of Poetic Short Stories and PoemsBodenheim, Maxwell
General
Introducing Irony: A Book of Poetic Short Stories and Poems
Bodenheim, Maxwell
American fiction -- 20th century; American poetry -- 20th century; Short stories, American
When he awoke, morning assaulted the gaunt scene with unceremonious
clarity. The mountain became a senseless giant; the waterfall changed
to a commonplace ribbon: and the pine trees blended into the lethargy
of dwarfs. The gray rock on the mountain was still gashed into the
face of a woman but her outlines were those of a transfigured virago.
Eric strapped on his pack; gazed down at the rock, with the smile of
a merchant emerging from drunken memories, and strode toward it. When
he reached it he hammered away a flat fragment, for remembrance, and
returned to the mountain path, with an expressionless face.
* * * * *
Eric Lane ended his lecture on scientific philosophy and tapped a
desecrating hand, for a moment, on the profile that had told me a story
during his talk. He had left the mountain pass but he was unaware of
that. He would have laughed at the idea, like a beggar who rattles his
chains into insincere victories of sound. Of that, too, he was unaware.
ART
Mrs. Calvin and Mrs. Kildrick stood on opposite sides of a back-yard
fence. Around them the romping improbabilities of early spring were
dispersed amidst the sour reality of suburban houses. Pale green
surrounded the small, square abodes, like an impish irrelevance. Each
house carried a shade of dull green, brown and red, and these shades
fitted into each other and made a meekly repressed story. Cinder
side-walks stretched in front of the houses--remorsefully dry remains
of fire, sacrificing themselves to occasional feet. The entire scene
was an unconscious reflection of the minds of Mrs. Calvin and Mrs.
Kildrick, standing on opposite sides of a back-yard fence.
These women held an unblossoming stoutness, like buds that had swollen
enormously but failed to open. Their gray muslin wrappers were too
undistinguished to be shrouds and sepulchrally flirted with red
ruffles. Mrs. Calvin had an implacably round face and it reminded one
of a merchant scolding an infant. Mrs. Kildrick’s face was round, but
softer, like that of a frustrated milk-maid.
“You ought to see her room,” said Mrs. Kildrick. “It looks like a
drunkard’s confession, as my husband says, the funniest clay figgers
and paintins you ever saw.”
“I couldn’t believe it when you told me,” said Mrs. Calvin, “the poor
dear looks so-o respectable--what can be ailing her?”
“She calls it her a-art,” said Mrs. Kildrick. “Well, as my husband does
say, we should pity those whose minds are a little bit cracked!”
The ladies continued to adulterate the wanness of their doubts and the
sunlight continued its blunt rummaging way among the rubbish-cans and
fences. The afternoon jovially began to change its glowing costume for
a pretended death scene, studying and lingering over gray effects. Just
as its melancholy was heaving toward a climax Helma Solbert strode up
the cinder walk leading to Mrs. Kildrick’s abode.
Public-domain text, read in full here on John Shaqi.
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