The message of Zechariah comes in the peculiar form of visions, some of them resting apparently on Babylonian art, and not always easy to interpret. After an earnest call to repentance, i. 1-6, the visions begin, i. 7-vi. 8. In the first vision, i. 7-17, the earth, which has been troubled, is at rest; the advent of the Messianic age may therefore be expected soon. The divine promise is given that Jerusalem shall be graciously dealt with and the temple rebuilt. The second is a vision, i. 18-21, of the annihilation of the heathen world represented by four horns. The third vision (ii.)--that of a young man with a measuring-rod--announces that Jerusalem will be wide and populous, the exiles will return to it, and Jehovah will make His abode there. These first three visions have to do, in the main, with the city and the people; the next two deal more specifically with the leaders of the restored community on its civil and religious side, Zerubbabel the prince and Joshua the priest. In the fourth vision (iii.) Joshua is accused by the Adversary and the accuser is rebuked--symbolic picture of the misery of the community and its imminent redemption. Joshua is to have full charge of the temple, and he and his priests are the guarantee that the Branch, i.e. the Messianic king (Jer. xxiii. 5, xxxiii, 15), no doubt Zerubbabel (Zech, iii. 8, vi. 12; Hag. ii. 23), is coming. In the fifth vision (iv.)[1] the prophet sees a lampstand with seven lamps and an olive tree on either side, the trees representing the two anointed leaders, Zerubbabel and Joshua, enjoying the divine protection. [Footnote 1: Except vv. 6b-10a, which appears to be a special assurance, hardly here in place, that Zerubbabel would finish the temple which he had begun.] The next two visions elaborate the promise of iii. 9: "I will remove the iniquity of that land,"--and indicate the removal of all that taints the land of Judah, alike sin and sinners. The flying roll of the sixth vision, v. 1-4, carries the curse that will fall upon thieves and perjurers; and in the somewhat grotesque figure of the seventh vision, v. 5-11, Sin is personified as a woman and borne away in a closed cask by two women with wings like storks, to the land of Shinar, i.e. Babylon, there to work upon the enemy of Judah the ruin she has worked for Judah herself. In the last vision, vi. 1-8, which is correlate with the first--four chariots issuing from between two mountains of brass--the divine judgment is represented as being executed upon the north country, i.e. the country opposed to God, and particularly Babylonia.