Introductory lectures on psycho-analysis : $b a course of twenty-eight lectures delivered at the University of ViennaFreud, Sigmund
Science
Introductory lectures on psycho-analysis : $b a course of twenty-eight lectures delivered at the University of Vienna
Freud, Sigmund
Psychoanalysis
I do not know if you are aware of the fact that slips of the tongue can
be provoked, called forth by suggestion, as it were. An anecdote will
serve to illustrate this. Once when a novice on the stage was entrusted
with the important part in _The Maid of Orleans_ of announcing to the
King: “The Constable sends back his sword,” the principal player, during
the rehearsal, played the joke of several times repeating to the timid
beginner, instead of the text, the following: “The _Komfortabel_ sends
back his steed.”[11] At the performance the unfortunate actor actually
made his début with this perverse announcement, though he had been amply
warned against so doing, or perhaps just because he had been.
All these little characteristics of errors are not much illuminated by
the theory of diverted attention. But that does not necessarily prove
the theory wrong. There may be something missing, a link, by the
addition of which the theory might be made completely satisfactory. But
many of the errors themselves can be considered from another aspect.
Let us select slips of the tongue, as the type of error best suited to
our purpose. We might equally well choose slips of the pen or of
reading. Now we must first remind ourselves that, so far, we have only
enquired when and under what conditions the wrong word is said, and have
received an answer on that point only. Interest may be directed
elsewhere, though, and the question raised why just this particular slip
is made and no other: one can consider the nature of the mistake. You
will see that so long as this question remains unanswered, and the
_effect_ of the mistake is not explained, the phenomenon remains a pure
accident on the psychological side, even if a physiological explanation
has been found for it. When it happens that I make a mistake in a word I
could obviously do this in an infinite number of ways, in place of the
right word substitute any one of a thousand others, or make innumerable
distortions of the right word. Now, is there anything which forces upon
me in a specific instance just this one special slip, out of all those
which are possible, or does that remain accidental and arbitrary, and
can nothing rational be found in answer to this question?
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