Ireland in Fiction: A Guide to Irish Novels, Tales, Romances, and Folk-loreBrown, Stephen J. M. (Stephen James Meredith)
General
Ireland in Fiction: A Guide to Irish Novels, Tales, Romances, and Folk-lore
Brown, Stephen J. M. (Stephen James Meredith)
English fiction -- Irish authors -- Bibliography; Ireland -- In literature -- Bibliography
Before explaining the scope of this section of the work it may be well,
in order to forestall wrong impressions, to say at once what it is _not_.
In the first place, then, it does not lay claim to be a bibliography. By
this I do not mean that I am content to be inaccurate or haphazard, but
simply that I do not aim at exhaustive completeness. In the second place,
it is not a catalogue of books _by Irish writers_. Lastly, it does not
deal exclusively with books printed or published in Ireland.
The Author’s aim has been to get together and to print in a convenient
form a classified list of novels, tales, &c. (whether by Irish or by
foreign writers), bearing on Ireland—that is, depicting some phase of
Irish life or some episode of Irish history—and to append to each title a
short descriptive note.
Two things here call for some explanation, viz., the list of titles and
the descriptive notes.
As to the former, I have, with some trifling exceptions, included
everything that I have been able to discover, provided it came within
the scope of the work, as indicated above. It has been thought well to
do this, because a vast amount of fiction that, from an artistic or from
any other point of view, is defective in itself may yet be valuable
as a storehouse of suggestion, fact, and fancy for later and better
writers. For was it not worthless old tales and scraps of half-mythical
history that held the germs of “Hamlet” and “Macbeth,” “King Lear” and
“Othello”? There remains, indeed a large class of novels and tales that,
so far as one may judge, can serve no useful purpose. It may be thought
that with such books the best course to pursue is to allow them to
pass into merited oblivion. But it must be remembered that booksellers
and publishers will naturally continue to push such books because it
is their business to do so, and the public will continue to buy them
because it has ordinarily no other means of knowing their contents than
the publisher’s announcement, the title, or—the cover. A “Guide” would,
therefore, surely shirk an important portion of its task if it excluded
worthless books, and thereby failed to put readers on their guard.
Next, as regards the descriptive notes: there are three points which
I should wish to make clear—the source of the information contained
in these notes; their scope, that is, the nature and extent of the
information with which they purpose to furnish the reader; and, thirdly,
the tone aimed at throughout the work.
Public-domain text, read in full here on John Shaqi.
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