Isaac Watts; his life and writings, his homes and friendsHood, Edwin Paxton
Religion
Isaac Watts; his life and writings, his homes and friends
Hood, Edwin Paxton
Watts, Isaac, 1674-1748
a defective and imperfect thing?”
And, again, he says on the—
SPIRIT OF THE HEBREW PSALMS.
“Moses, Deborah, and the princes of Israel; David, Asaph,
Habakkuk, and all the saints under the Jewish state, sung
their own joys and victories, their own hopes, and fears, and
deliverances, as I hinted before; and why must we, under the
Gospel, sing nothing else but the joys, hopes, and fears of
Asaph and David? Why must Christians be forbid all other melody
but what arises from the victories and deliverances of the
Jews? David would have thought it very hard to be confined to
the words of Moses, and sung nothing else on all his rejoicing
days but the drowning of Pharaoh of the fifteenth of Exodus.
He might have supposed it a little unreasonable, when he had
peculiar occasions of mournful music, if he had been forced to
keep close to Moses’ prayer in the ninetieth Psalm, and always
have sung over the shortness of human life, especially if he
were not permitted the liberty of a paraphrase; and yet the
special concerns of David and Moses were much more akin to
each other than ours are to either of them, and yet they were
both of the same religion; but ours is very different. It is
true that David has left us a richer variety of holy songs than
all that went before him; but, rich as it is, it is still far
short of the glorious things that we Christians have to sing
before the Lord; we and our churches have our special affairs
as well as they. Now, if by a little turn of their words, or
by the change of a short sentence, we may express our own
meditations, joys, and desires in the verse of those ancient
psalmists, why should we be forbidden this sweet privilege?
Why should we, under the Christian dispensation, be tied up to
forms more than the Jews themselves were, and such as are much
more improper for our age and state too? Let us remember that
the very power of singing was given to human nature chiefly for
this purpose, that our own warmest affections of soul might
break out into natural or divine melody, and that the tongue of
the worshipper might express his own heart.”
Public-domain text, read in full here on John Shaqi.
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