London (England) -- Social life and customs -- 19th century -- Fiction; Upper class -- Fiction
“Good. And now how are you going home? By train? No, I shall not let you
go by train; you are not fit. Come to the foot of the stairs, and I will
get you a cab. Nonsense, you need not drive as far as the house. Why
will you irritate me by such resistance? The fog? It is as good as
gone; it was quite light in the other room. Please go before me down the
stairs, and stop at the bottom. Now that is a good girl.”
She held her hand to say good-bye, saying: “It is for the last time.”
“No, but for a long time. You are a brave girl, and I shall think very
kindly of you.”
He found a cab, prepaid the fare, and waved his hand to her as she was
carried off. The fog had become much thinner, but there was nothing to
be seen still save slush underfoot and dim lights in the black front
of the opposite house. Lacour hastened up to his rooms again, suddenly
mindful of the letter which the postman had left and which was very
possibly from Mrs. Clarendon.
No; the envelope showed an unknown hand. He opened it with
disappointment, and found a folded sheet of letter-paper, on which was
written something which had neither the formal commencement nor the
conclusion of an ordinary letter; it was dated but not signed, and the
matter of it this:
“The writer of this is personally acquainted with you, and desires to
save you from the disagreeable consequences of an important step which
you are contemplating. This step you are about to take in reliance upon
the testamentary document which has hitherto been accepted as the late
Mr. Clarendon’s valid will. My friendly object is to warn you that the
document in question will prove inoperative, seeing that Mr. Clarendon
left a will of more recent date, which disposes of his property in a
wholly different manner. This will is being kept back in accordance
with express private injunctions of the testator; its very existence
is unknown to any save the writer of this. It will be produced either
immediately after Miss Warren’s marriage or upon her coming of age,
should the latter event precede the former.
“The writer of this cannot of course make any bargain of secrecy with
you, but he trusts that you will manifest your gratitude by heeding his
desire and keeping silence in a matter which henceforth cannot affect
you.”
This astonishing communication, awakening memories of old-fashioned
melodrama, was penned in firm, masculine handwriting, not unlike that of
a legal copying clerk. Lacour read it again and again, his amazement at
first rendering him incapable of scrutinising each particular. He
stood for a quarter of an hour with the paper in his hand, oblivious
of everything in life save those written words. Recovering himself
somewhat, he picked up the envelope from the floor and examined its
postmarks; they were metropolitan. At last he seated himself to think.
Public-domain text, read in full here on John Shaqi.
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