Isabel of Castile and the making of the Spanish nation, 1451-1504Plunket, Ierne L. (Ierne Lifford)
History
Isabel of Castile and the making of the Spanish nation, 1451-1504
Plunket, Ierne L. (Ierne Lifford)
Isabella I, Queen of Spain, 1451-1504; Spain -- History -- Ferdinand and Isabella, 1479-1516
Unfortunately, real feelings, if they had ever been in tune, ceased to
correspond with these outward rejoicings. Henry soon tired of his bride,
probably because he was legally bound to her, and bestowed his
attentions instead on a Portuguese lady of her retinue, Doña Guiomar.
The latter increased the Queen’s mortification by her insolent
behaviour; and, after a stormy scene, in which royal dignity was thrown
to the winds and slaps and blows were administered, Henry removed his
mistress to a country-house. The Court, watching to see which way the
wind would blow, divided into factions according to its decision; the
Marquis of Villena supporting the Queen, the Archbishop of Seville the
cause of Doña Guiomar.
Matters became even more serious when scandal, always busy with the
King’s name, began to attack the honour of his bride. Queen Joanna, who
according to Zurita had objected to the match from the first, was
incapable of the gentle resignation of her predecessor, Blanche of
Navarre. As extravagant and devoted to pleasure as her husband, she had
no intention of playing the rôle of deserted wife.
“She was a woman to whom love speeches were pleasant ... delighting more
in the beauty of her face than in the glory of her reputation.” Such was
the court chronicler’s summary of her character; nor did public opinion
remain vague in its accusations.
Amongst the principal Castilian nobles was a certain Beltran de La
Cueva, who by his handsome looks and adroit manners had gained for
himself the King’s confidence and the lucrative office of “Mayordomo,”
or Lord High Steward.
On one occasion the King and Queen had been entertaining the ambassadors
of the Duke of Brittany at their country-house at Pardo. Returning to
Madrid after three days’ hunting, they found on nearing the city that
Beltran de La Cueva, gorgeously arrayed, was waiting lance in hand to
challenge all who came by that road. This was a form of entertainment
highly popular with the chivalry of the time; and the tiers of
scaffolding erected for spectators were soon crowded.
Every knight, as he rode up, was summoned to tilt six rounds with the
Mayordomo or to leave his left glove in token of his cowardice. If he
succeeded in shivering three lances, he might go to a wooden archway,
resplendent with letters of gold, and from there take the initial of the
lady of his choice. This famous “Passage of Arms” lasted from morning
till sunset; and thus to the satisfaction of the Court did Beltran de La
Cueva maintain the cause of an unknown beauty, to whom rumour gave no
less a name than that of royalty itself.
Public-domain text, read in full here on John Shaqi.
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