This is but an ugly story to tell of such a pretty place as Shanklin, an older and a choicer resort than Sandown, favoured by visitors both in winter and summer, and with a good share of permanent residents attracted by its charms. As in the case of Lynton and Lynmouth, Shanklin has a double character. By the sea has sprung up a new bathing-place with a smart esplanade, showy pier, a disfiguringly convenient lift to the top of the cliff, and everything spick and span. The old Shanklin behind offers a contrast in its nucleus of embowered cottages, and its irregular High Street hugging an inland hollow, about which villas are half-buried in blooming gardens and clumps of foliage, like the huge myrtles that enclose the little parsonage near the churchyard in its grove of gravestones. But for some rawer rows of houses stretching out towards the cliff, upper Shanklin has lost little of the charm that struck Lord Jeffrey, [Illustration: SHANKLIN VILLAGE--MOONLIGHT AFTER RAIN] when he described the village as “very small and _scattery_, all mixed up with trees, and lying among sweet airy falls and swells of ground which finally rise up behind the breezy Downs 800 feet high, and sink down in front to the edge of the varying cliffs which overhang a pretty beach of fine sand, and are approachable by a very striking wooded ravine which they call the Chine.” An earlier visitor was Keats, who is understood to have written his _Lamia_ in a cottage, not now standing, about the opening rechristened “Keats’ Green” in honour of this sojourn, when, to tell the truth, he wrote of the Isle of Wight as “but so, so,” though he admired the coast from Shanklin to Bonchurch, as well he might. Longfellow, who wrote an inscription for a fountain near his hotel, called Shanklin “one of the quietest and loveliest places in the kingdom,” with which, indeed, his acquaintance had not been exhaustive.