Italian courtesy-books : $b Fra Bonvicino da Riva's fifty courtesies for the table (Italian and English) with other translations and elucidationsBonvesin, da la Riva
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Italian courtesy-books : $b Fra Bonvicino da Riva's fifty courtesies for the table (Italian and English) with other translations and elucidations
Bonvesin, da la Riva
Courtesy books -- Early works to 1800
I dislike that he who serves
Should, in serving, speak of the doctor;
Unless maybe by way of obeying,
When he has it in command from him.
In giving water thou shalt be careful,
Considering the time and place:
Where there is little, little;
In the cold time, less cold—and, if very cold, warm.
When the sun is very hot,
Bring it abundantly, but mind the people’s clothes.
Observe the station and the ages,
With regard to whom thou shalt begin with, if there is none to tell
thee.[35]
At table it behoves
Not to give bad or offensive news;
Unless delay might produce
Danger—and then only to the person concerned.
Be thy mouth abstinent
From eating while the first table is set.
In drinking do likewise,
So far as gratification goes, but thirst excuses thee:
Which if thou feelest, accustom thyself
Not to drink underhand, nor of the best.
Neither is a servant liked
Who afterwards is long over his eating,
If he is where he _can_ do this;
And still less he who sulks if he is called
When he has not yet done eating;
For he serves best who serves other than his gullet.’
Before parting from the _Documenti d’Amore_, I will summarize a few more
of Barberino’s dicta on points of courtesy and demeanour in general.
There are seven offences in speaking: 1. Prolixity; 2. Curtness; 3.
Audacity; 4. Mauvaise Honte; 5. Stuttering; 6. Beating about the bush;
7. Restlessness of gesture, and this is the least supportable of all.
Remedies against all these evils are assigned. For the 6th, as we are
told, the (then) modern usage is to speak out what you have to say with
little or no proem. As to the 7th, the moving about, as a child would do,
the hands, feet, or head, or the using action in speech, shows deficient
firmness. See that you stand firm. Yet all this is to be modified
according to place, time, and the auditory. (It is amusing to find the
dignified Tuscan of the thirteenth to fourteenth century reprobating
that luxuriance of gesture which is one of the first things to strike an
English eye in Italy down to our own day—more especially in the southern
parts of the country. To have striven to obey Barberino’s precept, under
pain of being pronounced bad company, must have proved hard lines to some
of his contemporaries and catechumens.)
If you chance into uncongenial company, take the first opportune occasion
for getting away, with some parting words that shall not bewray your
antipathy.
To casual companions speak on their own respective subjects; as of God
to the clergy, health to doctors, design to painters. ‘With ladies of
refinement and breeding, laud and uphold their honour and state by
pleasant stories not oftentimes told already. And, if any one is contrary
and froward, reply in excuse and defence; for it is derogatory to contend
against those the overcoming of whom is loss.’
Public-domain text, read in full here on John Shaqi.
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