Russia -- Social life and customs -- 19th century -- Drama; Russian drama -- Translations into English
ANNA. It is all clear to me now. You married me because you expected my
mother and father to forgive me and give you my money; that is what you
expected.
IVANOFF. Good Lord, Annie! If I must suffer like this, I must have the
patience to bear it. [He begins to weep.]
ANNA. Be quiet! When you found that I wasn't bringing you any money,
you tried another game. Now I remember and understand everything. [She
begins to cry] You have never loved me or been faithful to me--never!
IVANOFF. Sarah! That is a lie! Say what you want, but don't insult me
with a lie!
ANNA. You dishonest, degraded man! You owe money to Lebedieff, and now,
to escape paying your debts, you are trying to turn the head of his
daughter and betray her as you have betrayed me. Can you deny it?
IVANOFF. [Stifled with rage] For heaven's sake, be quiet! I can't answer
for what I may do! I am choking with rage and I--I might insult you!
ANNA. I am not the only one whom you have basely deceived. You have
always blamed Borkin for all your dishonest tricks, but now I know whose
they are.
IVANOFF. Sarah, stop at once and go away, or else I shall say something
terrible. I long to say a dreadful, cruel thing [He shrieks] Hold your
tongue, Jewess!
ANNA. I won't hold my tongue! You have deceived me too long for me to be
silent now.
IVANOFF. So you won't be quiet? [He struggles with himself] Go, for
heaven's sake!
ANNA. Go now, and betray Sasha!
IVANOFF. Know then that you--are dying! The doctor told me that you are
dying.
ANNA. [Sits down and speaks in a low voice] When did he
IVANOFF. [Clutches his head with both hands] Oh, how guilty I am--how
guilty! [He sobs.]
The curtain falls.
About a year passes between the third and fourth acts.
ACT IV
A sitting-room in LEBEDIEFF'S house. In the middle of the wall at the
back of the room is an arch dividing the sitting-room from the ballroom.
To the right and left are doors. Some old bronzes are placed about the
room; family portraits are hanging on the walls. Everything is arranged
as if for some festivity. On the piano lies a violin; near it stands a
violoncello. During the entire act guests, dressed as for a ball, are
seen walking about in the ball-room.
Enter LVOFF, looking at his watch.
Public-domain text, read in full here on John Shaqi.
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