Russia -- Social life and customs -- 19th century -- Drama; Russian drama -- Translations into English
SHABELSKI Seriously, I must really do something horrid and rascally, so
that not only I but everybody else will be disgusted by it. I certainly
shall find something to do, upon my word I shall! I have already told
Borkin to announce that I am to be married. [He laughs] Everybody is a
scoundrel and I must be one too!
LEBEDIEFF. I am tired of you, Matthew. Look here, man you talk in such a
way that, excuse my saying so, you will soon find yourself in a lunatic
asylum!
SHABELSKI. Could a lunatic asylum possibly be worse than this house, or
any othe r? Kindly take me there at once. Please do! Everybody is
wicked and futile and worthless and stupid; I am an object of disgust to
myself, I don't believe a word I say-----
LEBEDIEFF. Let me give you a piece of advice, old man; fill your mouth
full of tow, light it, and blow at everybody. Or, better still, take
your hat and go home. This is a wedding, we all want to enjoy ourselves
and you are croaking like a raven. Yes, really.
SHABELSKI leans on the piano and begins to sob.
LEBEDIEFF. Good gracious, Matthew, Count! What is it, dear Matthew, old
friend? Have I offended you? There, forgive me; I didn't mean to hurt
you. Come, drink some water.
SHABELSKI. I don't want any water. [Raises his head.]
LEBEDIEFF. What are you crying about?
SHABELSKI. Nothing in particular; I was just crying.
LEBEDIEFF. Matthew, tell me the truth, what is it? What has happened?
SHABELSKI. I caught sight of that violoncello, and--and--I remembered
the Jewess.
LEBEDIEFF. What an unfortunate moment you have chosen to remember her.
Peace be with her! But don't think of her now.
SHABELSKI. We used to play duets together. She was a beautiful, a
glorious woman.
SASHA sobs.
LEBEDIEFF. What, are you crying too? Stop, Sasha! Dear me, they are both
howling now, and I--and I--Do go away; the guests will see you!
SHABELSKI. Paul, when the sun is shining, it is gay even in a cemetery.
One can be cheerful even in old age if it is lighted by hope; but I have
nothing to hope for--not a thing!
LEBEDIEFF. Yes, it is rather sad for you. You have no children, no
money, no occupation. Well, but what is there to be done about it? [To
SASHA] What is the matter with you, Sasha?
SHABELSKI. Paul, give me some money. I will repay you in the next world.
I would go to Paris and see my wife's grave. I have given away a great
deal of money in my life, half my fortune indeed, and I have a right to
ask for some now. Besides, I am asking a friend.
LEBEDIEFF. [Embarrassed] My dear boy, I haven't a penny. All
right though. That is to say, I can't promise anything, but you
understand--very well, very well. [Aside] This is agony!
Enter MARTHA.
MARTHA. Where is my partner? Count, how dare you leave me alone? You are
horrid! [She taps SHABELSKI on the arm with her fan]
SHABELSKI. [Impatiently] Leave me alone! I can't abide you!
MARTHA. [Frightened] How? What?
SHABELSKI. Go away!
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account