Russia -- Social life and customs -- 19th century -- Drama; Russian drama -- Translations into English
MARTHA. [Sinks into an arm-chair] Oh! Oh! Oh! [She bursts into tears.]
Enter ZINAIDA crying.
ZINAIDA. Some one has just arrived; it must be one of the ushers. It is
time for the ceremony to begin.
SASHA. [Imploringly] Mother!
LEBEDIEFF. Well, now you are all bawling. What a quartette! Come, come,
don't let us have any more of this dampness! Matthew! Martha! If you go
on like this, I--I--shall cry too. [Bursts into tears] Heavens!
ZINAIDA. If you don't need your mother any more, if you are determined
not to obey her, I shall have to do as you want, and you have my
blessing.
Enter IVANOFF, dressed in a long coat, with gloves on.
LEBEDIEFF This is the finishing touch! What do you want?
SHABELSKI. Why are you here?
IVANOFF. I beg your pardon, you must allow me to speak to Sasha alone.
LEBEDIEFF. The bridegroom must not come to see the bride before the
wedding. It is time for you to go to the church.
IVANOFF. Paul, I implore you.
LEBEDIEFF shrugs his shoulders. LEBEDIEFF, ZINAIDA, SHABELSKI, and
MARTHA go out.
SASHA. [Sternly] What do you want?
IVANOFF. I am choking with anger; I cannot speak calmly. Listen to me;
as I was dressing just now for the wedding, I looked in the glass and
saw how grey my temples were. Sasha, this must not be! Let us end this
senseless comedy before it is too late. You are young and pure; you have
all your life before you, but I----
SASHA. The same old story; I have heard it a thousand times and I am
tired of it. Go quickly to the church and don't keep everybody waiting!
IVANOFF. I shall go straight home, and you must explain to your family
somehow that there is to be no wedding. Explain it as you please. It is
time we came to our senses. I have been playing the part of Hamlet and
you have been playing the part of a noble and devoted girl. We have kept
up the farce long enough.
SASHA. [Losing her temper] How can you speak to me like this? I won't
have it.
IVANOFF. But I am speaking, and will continue to speak.
SASHA. What do you mean by coming to me like this? Your melancholy has
become absolutely ridiculous!
Public-domain text, read in full here on John Shaqi.
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