J. Poindexter, ColoredCobb, Irvin S. (Irvin Shrewsbury)
General
J. Poindexter, Colored
Cobb, Irvin S. (Irvin Shrewsbury)
African Americans -- Fiction; New York (N.Y.) -- Fiction
It seems like all hands amongst 'em agrees there's a heap of money in
the film business if only the right folks was to take hold of it and get
it away from the parties which is now trying to run it. It also seems
that if only Miss Bill-Lee could get the proper sort of a chance, which
she can't on account of jealousy and one thing and another, she'd be a
brightly shining star in no time. All she needs is for somebody to put
her out in a piece which'll suit her and then she'll be a sensational
success and all concerned will make more money than they'll know what to
do with. I hears her saying so more than once to Mr. Dallas, all the
time looking at him with them yearning big black eyes of hers. It seems
like that is the one thing which she requires for to make her perfectly
happy. And seeing as how that appears to be Mr. Dallas' chief aim in
life these times--making Miss Bill-Lee more happy--I says to myself that
first thing we know we'll be investing in a new line on the side. Mr.
Raynor, though, he ain't so favorable to the notion. I can tell that he
don't want Mr. Dallas to be spreading his play 'round so promiscuous. It
ain't so much what he says; it's by the way he looks when the subject
comes up that I can figure out what his private emotions is.
Anyhow, the upshot is that Mr. Dallas takes to spending considerable of
his spare time at a studio up-town where the two young ladies works,
getting pointers and so on. One evening--I should say, one afternoon--he
telephones down to the apartment for me to bring one of his heavy
overcoats up there to him because, what with late fall-time being here
now, the weather has turned off sort of cold; and that's how befalls
that I gets my look at the insides of one of these here studio places,
which I must say, alongside of the one I seen, a crazy-house is plumb
rational and abounding in restfulness.
From the outsides it looks to be like something suitable for a tobacco
stemmery or maybe a skating-rink, but once I gets past the watchman on
the outer door--_Who-ee!_ That's all--_Who-ee!_ I stops close by the
door and for a spell I watches what's going on and I thinks to myself
that whilst there may be a-plenty of money in the moving-picture
business, and doubtless is, the bulk of it is liable to stay in it
permanent. Never before in my whole life has I seen so many folks
letting on like they was fixing for to transact something important and
then not doing it. If they was all on piece-work they couldn't earn
enough to pay for half-soling the shoes which they wears out running
about getting in one another's way. But as I understands it, they mainly
is hired by the day and not by the job, and my heart certainly goes out
in sympathetical feelings for the man, whoever he may be, that's
footing the bills at the end of the week. If I was him I'd charge
general admittance for the public to come in and witness these here
carryings-on, and thereby get some part of my wastage back.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account