J. Poindexter, ColoredCobb, Irvin S. (Irvin Shrewsbury)
General
J. Poindexter, Colored
Cobb, Irvin S. (Irvin Shrewsbury)
African Americans -- Fiction; New York (N.Y.) -- Fiction
Almost the first thing which distracts my attention is a
pestered-looking man with a pair of these here high leather leggings on,
like he was fixing to go horse-back riding but in his frenzy has mislaid
the horse; which he is full of authority and dashing to and fro with a
big megaphone in one hand and in the other a bunch of wadded-up paper
with writing on it. He appears to be in sole charge; and if hollowing
loud was worth fifty cents a hollow he'd be a millionaire inside of a
month if his voice didn't give out on him. I finds out a little later
that he's what they calls the director. Well, he certainly does
directicate.
One minute he's yelling at a couple of the hands up in the loft
overhead, which their job is to handle some of the lights and then he's
yelling at the little fellow which is running the picture-taking
machinery, and then he's yelling at a bunch of men which has charge of
the scenery, only this crowd don't pay no attention to him but just goes
on doing their work very languid-like; so I judges they must belong
to a union and therefore can afford to be independent. But most in
general he devotes his yelling to a whole multitude of folks all dressed
up in acting clothes with their faces painted the curiousest ever I
seen. And, at that, I seen a sight of face-painting since I come to New
York! Under them funny lights their skins is an awful corpsy
greenish-yellowish-whitish and their lips is purple, like as if they has
been drownded nine days and has just now come to the top.
He herds all these people together and gets 'em set to act a piece. And
then something goes wrong. Either he ain't satisfied with the lights or
with their actions or else he remembers something important which has
been forgotten and he yells for somebody to fetch it, and six or eight
runs to get it and brings the wrong thing back, and he raves and cusses
under his breath and tells everybody to go back to their marks and start
in all over again.
And the next try is just the same as the first. And the third try is not
no more successful than the other two was. So then the director he
shooes the whole crowd back out of the way and walks up and down and
waves his arms and wildly states that he hopes he may be hanged if he's
going to go on until they learns how to rehearse. And I remarks to
myself that if I was them white folks I certainly would give him his
wish and hang him!
So then everybody loafs round a spell, whilst the director confabs with
a little thin nervoused-looking man called Mr. Simons, with glasses on.
And then the director announces that they won't try to shoot the mob
scene today and all the extras can go till nine o'clock tomorrow
morning, and in the meantime he trusts and prays that they may get a
little sense or something in their heads. So, accordingly, most of the
multitude departs leaving only about a dozen or more actor ladies and
gentlemen setting round on odds and ends and seemingly very grateful for
the peaceful lull.
Public-domain text, read in full here on John Shaqi.
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