Jackson's Gymnastics for the Fingers and Wrist: being a system of gymnastics, based on anatomical principles, for developing and strengthening the muscles of the hand for musical, mechanical and medical purposes: with thirty-seven diagrams — John Shaqi
Jackson's Gymnastics for the Fingers and Wrist: being a system of gymnastics, based on anatomical principles, for developing and strengthening the muscles of the hand for musical, mechanical and medical purposes: with thirty-seven diagramsJackson, Edwin Ward
Science
Jackson's Gymnastics for the Fingers and Wrist: being a system of gymnastics, based on anatomical principles, for developing and strengthening the muscles of the hand for musical, mechanical and medical purposes: with thirty-seven diagrams
Jackson, Edwin Ward
Hand exercises; Musical instruments -- Instruction and study
It ought to be remembered that in almost all kinds of handiwork in
daily life, the _whole_ arm is active and in motion, and _very rarely_
the _wrist alone_. With musical instruments, on the contrary, and
particularly in playing the violin, it is necessary _always_ to use
the wrist, and it is impossible to play well unless the wrist has been
rendered strong and elastic. It is, therefore, absolutely indispensable
that proper gymnastic exercises should be made with the wrist, in
order to _prepare it_. The wrist, indeed, ought to be _accustomed_, in
other words, _to move of itself_, and the student ought, as often as
possible, to perform all kinds of movements calculated to impart to it
pliancy and strength. It will then soon become free and easy, and the
student will, in course of time, acquire the strongest, most elegant,
and artistic stroke.
No single one of these practical gymnastic exercises ought to be
despised on account of its simplicity. Only try them, and they will
be found very effective. All sensible artists and teachers will do
homage to every improvement, and consider it their duty to welcome any
assistance calculated to diminish and render lighter the arduous toil,
and shorten the valuable time required for becoming a proficient in
music.
CHAPTER XIX.
CONCLUDING REMARKS.
I will only add in conclusion, that it would be well not to continue
too long with the same gymnastic exercise, but to allow the muscles
and joints some change, which will be found both agreeable and
advantageous. If, therefore, the student be tired of one exercise, he
should begin another. Besides, if the fingers are fatigued and hot by
playing, and the nerves irritated, an exercise of some of the different
free or mechanical gymnastic appliances will refresh the muscles, by
imparting to them a new and an easier movement. And be it remembered,
“these exercises are not irksome, but recreative.”
It may also be recommended in such cases, to dip the points of the
fingers for half a minute into half a glassful of cold water, and let
them get dry of themselves, thus cooling by evaporation; or still
better, wash the hands with soap and water.
To sum up: No student ought to begin to learn or to play the piano,
violin, or other musical instrument, or even to engage in any work or
occupation requiring a strong and flexible hand, before having set
the joints of his fingers and hands in order, by means of preparatory
gymnastic exercises; and he ought to continue the same from day to day.
Let it ever be borne in mind that much rapid playing affects
injuriously the muscles and nerves; while, on the other hand, _slow
exercises and studies_ invigorate them.
Public-domain text, read in full here on John Shaqi.
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