Jackson's Gymnastics for the Fingers and Wrist: being a system of gymnastics, based on anatomical principles, for developing and strengthening the muscles of the hand for musical, mechanical and medical purposes: with thirty-seven diagrams — John Shaqi
Jackson's Gymnastics for the Fingers and Wrist: being a system of gymnastics, based on anatomical principles, for developing and strengthening the muscles of the hand for musical, mechanical and medical purposes: with thirty-seven diagramsJackson, Edwin Ward
Science
Jackson's Gymnastics for the Fingers and Wrist: being a system of gymnastics, based on anatomical principles, for developing and strengthening the muscles of the hand for musical, mechanical and medical purposes: with thirty-seven diagrams
Jackson, Edwin Ward
Hand exercises; Musical instruments -- Instruction and study
_From_ PRESCOTT HEWETT, F.R.C.S., _Surgeon to St George’s Hospital,
late Professor of Anatomy to R.C.S._
_Aug. 28th, 1865._
“Having carefully examined the gymnastic exercises invented by Mr Edwin
Ward Jackson for the due working of the fingers and hand, I have great
pleasure in stating that I believe that such exercises will be of the
greatest use, not only to musicians, but to every one who wishes to
possess a perfectly free use of his hands. The power and the freedom
obtainable by exercises such as these have been little thought of; but
from what I have seen, I feel confident that Mr Jackson’s exercises, if
rightly used, are destined to make the hand much more perfect for all
its purposes than it really is.”
* * * * *
_From_ LUTHER HOLDEN, F.R.C.S., _Senior Lecturer on Anatomy at
Bartholomew’s Hospital_.
_Aug. 28th, 1865._
Since our last interview I have often thought and talked about the
practical effect of your ‘Gymnastic exercises for the Fingers.’ On
anatomical and physiological grounds, it is quite certain that these
exercises are admirably calculated to liberate the ligaments of the
fingers, and to give a freer play and increased vigour to those muscles
upon which many of the varied and more independent movements of the
fingers depend.
“I have no doubt whatever that such exercises will be of the greatest
service in educating the fingers of musicians, and thereby save them a
great deal of time and trouble.”
* * * * *
_From_ RICHARD QUAIN, F.R.S., _Professor of Chemical Surgery in
University College; Surgeon Extraordinary to the Queen_.
_August 2nd, 1865._
I write to you upon the important facts you were good enough to
communicate to me to-day, and to explain how they may be accounted
for scientifically. Your proposal to exercise the hand and fingers,
and your plan of systematically carrying out the proposal so as to be
beneficial to musicians, are _both new_ to me. Judging on principle,
and from a knowledge of what occurs in other parts of the body, I have
no doubt that the system must be useful, for it will give increased
mobility to the fingers and increased development and power to the
small muscles—Lumbricales (the _musculi fidicinales_ of Cowper), and
metacarpal interosseous, as well as indeed to the general flexors and
extensors of the hand. In short, the exercises you propose will be to
the hand and fingers what the ordinary gymnastic exercises are to the
rest of the limbs. The result will be useful wherever the free play
and vigour of the fingers are needed; would therefore, I anticipate,
be especially advantageous to musicians, and I am inclined to add to
painters and to writers also.” ...
* * * * *
_From_ ERASMUS WILSON, F.R.S.
Public-domain text, read in full here on John Shaqi.
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