Jackson's Gymnastics for the Fingers and Wrist: being a system of gymnastics, based on anatomical principles, for developing and strengthening the muscles of the hand for musical, mechanical and medical purposes: with thirty-seven diagrams — John Shaqi
Jackson's Gymnastics for the Fingers and Wrist: being a system of gymnastics, based on anatomical principles, for developing and strengthening the muscles of the hand for musical, mechanical and medical purposes: with thirty-seven diagramsJackson, Edwin Ward
Science
Jackson's Gymnastics for the Fingers and Wrist: being a system of gymnastics, based on anatomical principles, for developing and strengthening the muscles of the hand for musical, mechanical and medical purposes: with thirty-seven diagrams
Jackson, Edwin Ward
Hand exercises; Musical instruments -- Instruction and study
“Mr Jackson from England delivered a lecture upon gymnastics of the
fingers and wrist. The fatigue which immediately attended the playing
on the violin late in life, incident even to a person strong and
athletic in all other respects, led him to the discovery, after
lengthened investigations, _first_, that the fingers are the least
exercised of all the active muscles of the human body; _secondly_,
that they are thereby, on physiological grounds, also the weakest;
and _thirdly_, as he afterwards on minute investigation found out,
that the finger-muscles are almost the only active muscles in the
frame to which a properly constituted system of gymnastics had never
been applied. He discovered that the cause of this fatigue lies in
the want of finger-training; and the lecturer explained, and adduced
proof, that the muscles, hitherto constrained in their movements by
tight transverse ligaments, are instantaneously set free by gymnastic
stretching applications to those ligaments. The society expressed
itself entirely in accord with the theory as well as the practice which
the lecturer adduced; they desired to add that both the one and the
other are entirely new to them, and to express a belief that the same
will be introduced into every school in Germany as soon as they shall
be made known.
“In expressing their best thanks to Mr Jackson for his most interesting
discourse, the society desire to record the fact, which the lecturer
in soliciting their indulgence stated, that he had commenced the study
of the German language for the first time at a late period of life,
namely, at the age of 52 years, exactly six years ago; nevertheless
the lecturer seems to have mastered its great difficulties, and has
delivered gratuitously this and many other lectures extempore in
excellent German, an achievement which the society believes to be
without precedent.”
Expressions of marked approval have also been received from W.
FERGUSSON, F.R.S., _Surgeon Extraordinary to the Queen_, PROFESSOR R.
OWEN, F.R.S., D.C.L., _British Museum_, DR JOSEPH HIRTH, _Professor of
Anatomy, Vienna_, and other distinguished persons.
* * * * *
_From_ JOHN HULLAH, _Professor of Music in King’s College and in
Queen’s College; Organist of Charterhouse, &c., &c._
_July 27th, 1865._
Mr Edwin W. Jackson has called attention to an anatomical fact which
is likely to prove of great importance to students of instrumental
music; and the apparatus and course of exercises by which he proposes
to turn the knowledge of this fact to account seem well calculated for
the attainment of the object he has in view—that of increasing the
strength, pliability, and expansiveness of the hand.”
* * * * *
_From_ E. F. RIMBAULT, LL.D., F.S.A., _Member of the Royal Academy
of Music in Stockholm; Musical Examiner in the Royal College of
Preceptors, London, &c., &c._
Public-domain text, read in full here on John Shaqi.
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