Jackson's Gymnastics for the Fingers and Wrist: being a system of gymnastics, based on anatomical principles, for developing and strengthening the muscles of the hand for musical, mechanical and medical purposes: with thirty-seven diagramsJackson, Edwin Ward
Science
Jackson's Gymnastics for the Fingers and Wrist: being a system of gymnastics, based on anatomical principles, for developing and strengthening the muscles of the hand for musical, mechanical and medical purposes: with thirty-seven diagrams
Jackson, Edwin Ward
Hand exercises; Musical instruments -- Instruction and study
“Mr E. Ward Jackson’s discovery is of the _highest importance_ to all
performers on musical instruments requiring the use of the fingers.
Several attempts have been made, at different times, to construct
apparatus which would give strength and elasticity to these important
members of the hand; but they have all signally failed. Mr Jackson
has been the _first_ to consider the subject _philosophically_ and
_anatomically_. His discovery will form an era in the progress of the
manipulation of the art.”
* * * * *
_From_ JULES BENEDICT, _Pianist_.
_July 22nd, 1865._
“I believe that Mr Jackson’s simple but ingenious contrivance will
be highly beneficial for the musical student, and contribute to the
clearness of touch and independence of the fingers. Experiments on a
large scale, and in schools where music is taught, would still more
contribute to acquaint the public with his clever and useful invention.”
* * * * *
_From_ PROFESSOR WYLD, _Mus. Doc., Cantab.; Professor of Music in
Gresham College_.
_July 23rd, 1865._
“Many thanks for sending me your pamphlet, which I have read very
carefully. It has interested me very much, and I have no doubt of the
practical excellence of your discovery.”
* * * * *
_From_ PROSPER SAINTON, _Leader of the Royal Italian Opera; of the
Sacred Harmonic Society; of the Musical Society of London; and of the
New Philharmonic Society_.
_Aug. 5th, 1865._
“I have great pleasure in adding my testimony to that given to you by
so many artists. I congratulate you upon your invention, which I am
certain will be of great utility to pupils of the violin, in giving to
their fingers strength and elasticity.”
* * * * *
_From_ WALTER MACFARREN, _Professor of Pianoforte in the Royal Academy
of Music_.
_July 28th, 1865._
“Mr. Edwin W. Jackson has done me the favour to explain to me his new
system of gymnastics for the fingers, and I have no hesitation in
stating that in my opinion it is calculated to obtain, by the simplest
means, the independence of wrist and flexibility of finger essential
to the pianist, or indeed to the performer on any keyed instrument. I
consider that the introduction of this system would be of great value
to both professor and pupil in schools and conservatories where music
is studied.”
* * * * *
_From_ JOS. JOACHIM, _Violinist_.
“I must, on reflection, admit that the gymnastics for the fingers
which you suggest must, by proper application of the same, contribute
greatly to strengthen and render pliant the finger-joints.”
* * * * *
_From_ PROFESSOR MOSCHELES.
“Your very ingenious discovery that the necessary strength and
flexibility of the fingers for pianoforte and violin-playing can be
effected by means of cylinders placed between the fingers and other
appliances, must prove to be of great use.”
Public-domain text, read in full here on John Shaqi.
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