Jackson's Gymnastics for the Fingers and Wrist: being a system of gymnastics, based on anatomical principles, for developing and strengthening the muscles of the hand for musical, mechanical and medical purposes: with thirty-seven diagramsJackson, Edwin Ward
Science
Jackson's Gymnastics for the Fingers and Wrist: being a system of gymnastics, based on anatomical principles, for developing and strengthening the muscles of the hand for musical, mechanical and medical purposes: with thirty-seven diagrams
Jackson, Edwin Ward
Hand exercises; Musical instruments -- Instruction and study
I thereupon visited houses and institutions where men _do_ work with
their fingers, viz., where carvers in wood and ivory, in steel, copper,
and stone, painters and draughtsmen, watchmakers and fine mechanists,
spinners and weavers, printers and compositors, &c., drive their trade,
and after that, people who are in the habit of writing much, and even
the whole day, such as authors, copyists, clerks, stenographers,
lithographers, as well as sempstresses and workwomen;—in short, all
those who have much finger-work, or earn their living by their fingers.
And here I observed all kinds of finger diseases, such as stiffness of
the joints and limbs, writers’ cramp, hands and forearms debilitated
in the highest degree, paralyzed limbs, nervous weakness, &c. Then
I said to myself, “A light begins to dawn upon me. I find, _first_,
that the fingers are the least exercised, in the ordinary occupations
of life, of all the active members of the body; _secondly_, that they
are on that account relatively and physiologically the weakest; and,
_thirdly_, that they are also the _only_ active members which are not
gymnastically trained and treated. I must consider the matter now
ANATOMICALLY, PHYSIOLOGICALLY, and GYMNASTICALLY.”
And I forthwith began to make all sorts of artistic and mechanical
experiments, for the purpose of gymnastically exercising, stretching,
and developing the muscles, the ligaments, and joints of the fingers
and hands in all directions, so as to strengthen and prepare them for
playing the piano and the violin, as well as other instruments, and for
all kinds of finger-work and handicraft.
In doing so I studied the physiology of the muscles and ligaments, and
directed especial attention to the _transverse metacarpal ligament_.
In comparing this anatomy with the difficulties experienced, I sought
to discover a means more particularly of stretching the _ligaments_ or
bands which run _transversely_ across the hands and knuckles. This I
succeeded in effecting, and then I discovered, to my astonishment, that
the moment I had applied my gymnastic movements to these stout and very
obstinate elastic bands, the _muscles_ became instantaneously looser,
and moved with greatly increased freedom and agility. In a word, the
_muscles were set free_.
At the same time I tried on _myself_ various simple, natural, free
movements with the joints of the fingers, in order to examine them
practically and physiologically, and thus to found a system on solid
principles. And I may here be permitted to state as the result,
in my own case, that though at that time 54 years of age, after I
had diligently practised the course of gymnastic exercises herein
described, a comparatively short time, every day, my fingers and wrists
became so strong and flexible that I was able to play, and can now
play upon the violin many hours daily in succession without fatigue.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account