Queen Anne is so often relegated, in the public mind, to an isolated position, genealogically, and the pronounced developments in the changes of taste that took place at the commencement of the of the 18th century, left such a very definite impression, that she is rarely remembered as a Stuart; it was in her reign, however, that the vogue for the old crewel embroideries revived, and though differences of treatment crept in, the designs, were, in the main, purely Jacobean, being copies or adaptations of patterns popular in the middle of the 17th century. It is these copies that exist mostly to-day, few, indeed, are those hangings which pertain to the earlier date, but a study of those few, taken in conjunction with the still fewer that remain of the 16th century, prove the _gradual_ growth of the designs that have the tree motif which makes them all kin. Lady Brougham and Vaux had a most wonderful collection, from which interesting comparisons could be made. One pair of bed hangings, of coarse linen of the 16th century, show the trees with a meandering growth entirely characteristic of those of heavier kind which appear in later embroideries, these trees also are undoubtedly intended to represent the Tree of Life, for round one is coiled a serpent, while beneath the scanty but large leaved boughs, incidents in the story of the expulsion from Paradise are to be descried, as also the procession into the ark. The work is without doubt early, for there is a primitive character in the arrangement of the inconsequent groups of figures, Adam and Eve stand nude either side the tree, couples in weird though contemporaneous costume to the work are dotted over the surface quite at haphazard. The similarity between the tree on these curtains and on one of the 18th century once in the same collection is very striking. Added grace of design has beautified the later work, but the same forms can be traced and the same parrots and squirrels are introduced, the Biblical story at the foot of the 16th century curtain has been replaced by a portion of the legend of the human soul. Another very interesting example I have seen, attributed to the years of James I's reign, seems to suggest that the worker had realised the "waves" in an Eastern pattern and made growths of coral at the base of the tree, but had then converted a line or two of waves into _terra firma_, for at one end reposes a lion, towards which a stag is bounding with head turned back as if in fear of pursuers. The birds in this example are very tropical, a miniature peacock on the lower branches spreads its tail stiffly, parrots like the one illustrated in our collection of details, birds of paradise, and squirrels, are all to be noted among foliations that are the most superb, taken individually, it is possible to imagine, most are worked fairly solid, such light fillings as there are, being small sprays of leaves like those in our plate No. 17.