“Oh! but you think of me sometimes, I suppose,” said Jacqueline, softly,
“for I share your time with him.”
“I think of you to blame you for taking me away from the fifteenth
century,” replied Hubert Marien, half seriously. “Ouf!--There! it is
done at last. That dimple I never could manage I have got in for better
or for worse. Now you may fly off. I set you at liberty--you poor little
thing!”
She seemed in no hurry to profit by his permission. She stood perfectly
still in the middle of the studio.
“Do you think I have posed well, faithfully, and with docility all these
weeks?” she asked at last.
“I will give you a certificate to that effect, if you like. No one could
have done better.”
“And if the certificate is not all I want, will you give me some other
present?”
“A beautiful portrait--what can you want more?”
“The picture is for mamma. I ask a favor on my own account.”
“I refuse it beforehand. But you can tell me what it is, all the same.”
“Well, then--the only part of your house that I have ever been in is
this atelier. You can imagine I have a curiosity to see the rest.”
“I see! you threaten me with a domiciliary visit without warning. Well!
certainly, if that would give you any amusement. But my house contains
nothing wonderful. I tell you that beforehand.”
“One likes to know how one’s friends look at home--in their own setting,
and I have only seen you here at work in your atelier.”
“The best point of view, believe me. But I am ready to do your bidding.
Do you wish to see where I eat my dinner?” asked Marien, as he took her
down the staircase leading to his dining-room.
Fraulein Schult would have liked to go with them--it was, besides, her
duty. But she had not been asked to fulfil it. She hesitated a moment,
and in that moment Jacqueline had disappeared. After consideration, the
‘promeneuse’ went on with her crochet, with a shrug of her shoulders
which meant: “She can’t come to much harm.”
Seated in the studio, she heard the sound of their voices on the floor
below. Jacqueline was lingering in the fencing-room where Marien was in
the habit of counteracting by athletic exercises the effects of a too
sedentary life. She was amusing herself by fingering the dumb-bells and
the foils; she lingered long before some precious suits of armor. Then
she was taken up into a small room, communicating with the atelier,
where there was a fine collection of drawings by the old masters. “My
only luxury,” said Marien.
Mademoiselle Schult, getting impatient, began to roll up yards and
yards of crochet, and coughed, by way of a signal, but remembering
how disagreeable it would have been to herself to be interrupted in
a tete-a-tete with her apothecary, she thought it not worth while to
disturb them in these last moments. M. de Nailles’s orders had been that
she was to sit in the atelier. So she continued to sit there, doing what
she had been told to do without any qualms of conscience.
Public-domain text, read in full here on John Shaqi.
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