"I want Edwin to go back to the beginning of the last chapter. I left
out a sentence that is necessary. It explains why Ellis left by rail.
You insert."
Then he dictated the passage relating to the new railroad and the
temporary station. When he had finished he said, "Go on with the
story," and the next sentence began, "When Ellis went away it was to
the sound of jollity." The reference to Robert Louis Stevenson was new
to both of us, and we have not sought to verify the incident. That
Mark wanted it included in his story was sufficient for us.
That next chapter contained another accumulation of brevity which was
afterward untied. The funeral, the reading of Ellis Hinton's will,
Judge Bowers's candidacy, the nomination of Jap Herron as the ugliest
man in Bloomtown, Bill's first spree and the local option fight, all
these were sketched with the sharpness and sudden transition of
pictures on a cinematograph screen. The following chapter was almost
as tightly packed with incident, and in the midst of it there was a
break, with an astonishing explanation. Three evenings in succession
we had had trouble with the planchette. It had seemed to me that Mrs.
Hays was trying to pull it from beneath my fingers. Meanwhile she had
mentally accused me of digital heaviness. She uses the finger tips of
her left hand while I use my right. As a rule our touch is so light
that the planchette glides automatically. On these three evenings we
had left the board with cramped fingers, and a general sense of
dissatisfaction. Several sentences that were plainly spurious were
afterward stricken from the record; but we had forgotten about the
other scribes who wanted "a pencil on earth," until Mark interrupted
the story to say:
"I must ask you to be wary and sharp to dismiss impostors. Right now
there are more than twenty hands trying to control your dictation. It
is very hard for me. I am disconsolate, and powerless to help myself.
If we do not watch every avenue, our work is spoiled. There has been a
constant struggle for my rights. I only ask a little help, and you are
all my hope. If you fail me, I am undone."
This illuminating outburst served to clear the atmosphere, and the
three chapters were afterward expanded into seven, much of the same
diction being reproduced. It was as if Mark, knowing the difficulties
on his own side of the shadow-line, had tried to get at least the
outline of his story down on paper, lest he lose his hold entirely.
After that evening we had almost no trouble with intruders.
Public-domain text, read in full here on John Shaqi.
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