As to the titles by which the Emperor is known, these are drawn in most part from the Chinese, and denote, in language suited to Oriental ideas, the illustrious position which he holds. The names express the idea that he reigns by divine right. The oldest of these titles seems to be Mikoto. This is a Japanese word meaning “venerable,” and translated into Chinese, “tsun.” The word Mikado is more commonly used now, and is translated by the Chinese “Ti,” or emperor. The word “O” or “Wo” is the Chinese “Wang,” emperor; and the word “ten,” or heaven, is commonly added--“Ten wo,” the heavenly ruler; or the combination “Owo,” or “Oho-wo,” meaning the great ruler, in which sense “Dai-wo” is also used. “Tenshi” is the “tien-tsi” of China, the son of heaven. “O-ooji,” the great family, is sometimes applied to the Emperor. The common people talk of the Emperor as “Miyako sama,” in contradistinction to “Yedo sama,” the Shiogoon, the Lord of Yedo. “Ooyaysama,” or the superior lord, is also used. “Dairi,” made up of two Chinese words signifying the inner court or “the interior,” is equivalent to the words “the court” in English, and seems to include the residences of the royal families and higher nobility. It is, however, sometimes applied to the Emperor himself, and sometimes to the palace as a building. The first word, “dai” is written both “great,” _ta_, and “inner,” _nai_. The latter seems the more common. “Gosho” is a word sometimes applied to the palace, at others to the Emperor and the government. The word “in,” or “een,” is a Buddhist word, added to the posthumous name of some of the deceased emperors instead of “Ten wo.” In addition to these, other names are used, as “Kwo tei,” or ruler of the people, “Chokku,” etc. From the earliest period in the history of Japan, mention is made of three things which necessarily appertain to the person who sits upon the throne. They seem to be looked on as symbols of the imperial power, as palladia of the empire. In one of the treatises upon the Emperor’s court it is said of these mysterious emblems: “In that early time the heaven-illuminating god arrived at Kashiwabarra, then the capital, and placed an eight-cubit mirror and a grass-shaving sword in the palace, on the throne of the Emperor, and these received such homage as was rendered in the early times. The efficacy of the god was very great, so that the Emperor, dwelling with this god (these divine symbols), was, as it were, equal to a god. Within the palace these things were laid up, that the divine power might remain wherever these things were. At that time (two high officers) regulated the sacrificial rites and ceremonies until the tenth emperor, who, fearing the sacredness of the divine presence, took these two efficacious symbols, the sword and the mirror, and put them away in another place, which was the origin of the idea of the Emperor sitting like a god in the place of a god.”