The outcome of this disillusionment has been the appearance of three currents of thought with reference to the national policy. One is the ultra Occidentalism which sees nothing good in their own country and people, and hence is extremely merciless and outspoken in denunciation of things Japanese, but which admires even to the point of worship almost everything that is European and American. To this school belong many younger radicals who are more or less socialistically inclined and who would like to see Japan converted into a republic or a Bolshevik communism. Categorically opposed to this thought is another school, which its adherents call "Japanism." This school sees nothing new or worth while in things Occidental, and advocates, after the reasoning of Rousseau, a return to natural Japan. Between these two extremes stand the majority of sane intellectuals, who clearly perceive both the limitations and the strength of Japan, and endeavor to benefit through learning and assimilating the valuable experience of advanced nations. Adaptable Disposition. Another notable feature of the Japanese is their meager endowment of originality and, conversely, their marked aptitude for adaptability. A glance at the outline of Japanese history shows how much the Japanese borrowed from other peoples in almost all phases of civilization and how little they themselves have created. Indeed, there is hardly anything which belongs to Japan that cannot be traced originally to the earnest creative effort of other peoples. The same may be said of modern peoples, who, with the exception of scientific inventions, have mainly derived their culture from the Greeks and Romans. Whatever difference the future may witness, the Japanese thus far have been borrowers and receivers of other races' accomplishments. Perhaps this is the cause of the rapid development of the Japanese, who have succeeded in imitating and assimilating the strong points of nations in succession from the lower to the top of the hierarchy--from Korea, China, India, to Europe. When the process reaches the top of the ladder, let us hope that Nippon will start for the first time real creative work. Spirit of Proletarian Chivalry.