But even so, it seemed that I had reached her--that in some way akin to
that in which Croft had assured me he would be able to follow my mental
direction while working, she had sensed my meaning and intention. Women
are intuitive by nature, more susceptible to the waves of a personal or
thought vibration. Her lips moved again as I ceased speaking.
"Azil," she whispered. "But--that new soul is so long in passing, my
friend."
I turned to Croft.
"Come," I hurled my thought force toward him. "Let us spare her more
bodily anguish than must be endured. Let us make an end."
Of what followed I shall say no word. Suffice it to state that Jason
Croft labored, grim of lips and pallid of feature; that I sat in that
weirdest position of assistance capable of conception; that the lights
burned on in that room where the pale form of Azil spread his wings on
the pedestal of wine-red wood; that the eyes of Naia of Aphur widened
until they were two dark pools no more than fringed by the purple
iris; that the two female attendants waited, intent on naught save the
catching, the rendering of obedience to each of Croft's intense though
low-pitched words.
And then suddenly the man turned to me a face transfigured past
anything I had ever pictured--a thread of sound--a wailing, trailing
vibration--the first note of waking vocal strings, pulsed through the
room--and Jason Croft the physician, the father, was kneeling beside
that couch of copper, no longer the iron-nerved worker, the laborer for
unborn life, but the husband, the lover, clasping the slender body of
Naia of Aphur in his arms, and shaken by a strong man's sobs. I turned
away my eyes.
And then his voice boomed out, strangely exalted and triumphant:
"Murray--we win--win, man--thanks to you and--God!"
I turned back. Croft spoke to one of the attendants. She crossed to
a curtained doorway and lifted the purple drapings. There stole into
the room a girl of Mazzeria--a graceful creature, for all the odd blue
color of her skin. Twin braids of ruddy hair fell from her head to her
waist. Her figure held all the untrammeled litheness of a panther as
she advanced. Across her outstretched arms she bore a pure white cloth.
Upon it, the child of Jason Croft and Naia of Aphur was placed.
She wrapped the fabric about it, cradling it against her breast. She
turned to Naia, smiling, sinking down beside her on her supple rounded
thighs.
And then--for one brief instant I saw the light of the Madonna flame in
those wonderful eyes--the light with which Naia the mother looked first
on Jason's--son.
Croft addressed me.
"Maia," he said softly. "I've described her to you before if you
remember, Murray. She asked that you might be permitted to attend
the--the little one."
Public-domain text, read in full here on John Shaqi.
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