His voice broke. His face was weary, overstrained, worn. I understood. The graceful girl was Naia's personal attendant--the Mazzerian woman, who had aided her mistress in saving Croft's life at a time when he was taken captive during the Mazzerian war. I nodded my comprehension. He bent again as though by irresistible attraction above the couch where the blue girl still was kneeling, and Naia seemed waiting his undivided attention. Once more I turned my head. It was the holy moment--the hour of realization between man and woman. Through the half-drawn curtains of a window, light stole into the room. It shamed the incandescents in their sconces. A finger of golden glory touched the tips of the upflung wings of Azil. With a start, I realized that the night of anguish was ended--that new life had come into the house of Jason--with the dawn. CHAPTER II THE CHRISTENING I went toward the curtains and stood looking out between them, removing so far as I could even my invisible presence from the tableau behind me. The attendants were moving about. I heard the soft pad of their gnuppa-hide sandaled feet, the softened tones of their voices. I heard Naia speaking and Croft's deeply quivering answer, and once more the wail of the child. "Murray," Jason was speaking to me. I sensed his touch on my arm. Again he was in astral form. "Come, while the women perform their task." My glance shot beyond him to where his physical body was seemingly lost in a lethargy of exhaustion, once more in the red wood chair. It did more. It fell on Naia. The ray of sunlight had lowered as Sirius had mounted above the eastern horizon. It made her golden tresses seem more than ever an aureole about her face on the pillow--a face grown exquisitely tender, lighted not merely with the sun of morning, but by the inner, the newly ignited glow of motherhood. I turned from it and followed Croft through the curtained doorway of the chamber, onto the balcony, along which one approached the room. He had described it minutely to me, but even so I marveled at it as we stood together, sensing its proportions, its brilliant yet not offensive blendings of yellow and white and red. White was the balcony rail about it, red and yellow the alternating tiles that paved its floors. Red and yellow, too, were the steps of the stairs that mounted to the balcony from either end of the court, and red the carven pillars that supported the balcony on a series of arches, between which pure white examples of Palosian sculpture showed. Golden were the plates of glass in the roof above us--open mainly now to the air of heaven, that the flowers and plants and shrubs which dotted the unpaved portions of the court beneath us might breathe.