Epic literature; French fiction -- Translations into Finnish; Musicians -- Fiction; Psychological fiction
Old Krafft used to intersperse his enthusiastic narratives with indignant
apostrophes addressed to his hero. The patriot awoke in him, more perhaps
when he told of the Emperor's defeats than of the Battle of Jena. He would
stop to shake his fist at the river, and spit contemptuously, and mouth
noble insults--he did not stoop to less than that. He would call him
"rascal," "wild beast," "immoral." And if such words were intended to
restore to the boy's mind a sense of justice, it must be confessed that
they failed in their object; for childish logic leaped to this conclusion:
"If a great man like that had no morality, morality is not a great thing,
and what matters most is to be a great man." But the old man was far from
suspecting the thoughts which were running along by his side.
They would both be silent, pondering each after his own fashion, these
admirable stories--except when the old man used to meet one of his noble
patrons taking a walk. Then he would stop, and bow very low, and breathe
lavishly the formulæ of obsequious politeness. The child used to blush for
it without knowing why. But his grandfather at heart had a vast respect for
established power and persons who had "arrived"; and possibly his great
love for the heroes of whom he told was only because he saw in them persons
who had arrived at a point higher than the others.
When it was very hot, old Krafft used to sit under a tree, and was not long
in dozing off. Then Jean-Christophe used to sit near him on a heap of loose
stones or a milestone, or some high seat, uncomfortable and peculiar; and
he used to wag his little legs, and hum to himself, and dream. Or sometimes
he used to lie on his back and watch the clouds go by; they looked like
oxen, and giants, and hats, and old ladies, and immense landscapes. He used
to talk to them in a low voice, or be absorbed in a little cloud which a
great one was on the point of devouring. He was afraid of those which were
very black, almost blue, and of those which went very fast. It seemed to
him that they played an enormous part in life, and he was surprised that
neither his grandfather nor his mother paid any attention to them. They
were terrible beings if they wished to do harm. Fortunately, they used to
go by, kindly enough, a little grotesque, and they did not stop. The boy
used in the end to turn giddy with watching them too long, and he used to
fidget with his legs and arms, as though he were on the point of falling
from the sky. His eyelids then would wink, and sleep would overcome him.
Silence.... The leaves murmur gently and tremble in the sun; a faint mist
passes through the air; the uncertain flies hover, booming like an organ;
the grasshoppers, drunk with the summer, chirp eagerly and hurriedly; all
is silent.... Under the vault of the trees the cry of the green woodpecker
has magic sounds. Far away on the plain a peasant's voice harangues his
oxen; the shoes of a horse ring out on the white road. Jean-Christophe's
eyes close.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account