Epic literature; French fiction -- Translations into Finnish; Musicians -- Fiction; Psychological fiction
Vague desires, happy presentiments,
would awake in the heart of the dreaming child.
Suddenly Jean-Christophe would awake, filled with dull uneasiness. He would
raise his eyes--night! He would listen--silence! His grandfather had just
gone out. He shuddered. He leaned out of the window to try to see him. The
road was deserted; things began to take on a threatening aspect. Oh God!
If _that_ should be coming! What? He could not tell. The fearful thing.
The doors were not properly shut. The wooden stairs creaked as under a
footstep. The boy leaped up, dragged the armchair, the two chairs and the
table, to the most remote corner of the room; he made a barrier of them;
the armchair against the wall, a chair to the right, a chair to the left,
and the table in front of him. In the middle he planted a pair of steps,
and, perched on top with his book and other books, like provisions against
a siege, he breathed again, having decided in his childish imagination that
the enemy could not pass the barrier--that was not to be allowed.
But the enemy would creep forth, even from his book. Among the old books
which the old man had picked up were some with pictures which made a
profound impression on the child: they attracted and yet terrified him.
There were fantastic visions--temptations of St. Anthony--in which
skeletons of birds hung in bottles, and thousands of eggs writhe like worms
in disemboweled frogs, and heads walk on feet, and asses play trumpets, and
household utensils and corpses of animals walk gravely, wrapped in great
cloths, bowing like old ladies. Jean-Christophe was horrified by them, but
always returned to them, drawn on by disgust. He would look at them for a
long time, and every now and then look furtively about him to see what was
stirring in the folds of the curtains. A picture of a flayed man in an
anatomy book was still more horrible to him. He trembled as he turned the
page when he came to the place where it was in the book. This shapeless
medley was grimly etched for him. The creative power inherent in every
child's mind filled out the meagerness of the setting of them. He saw no
difference between the daubs and the reality. At night they had an even
more powerful influence over his dreams than the living things that he saw
during the day.
Public-domain text, read in full here on John Shaqi.
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