Epic literature; French fiction -- Translations into Finnish; Musicians -- Fiction; Psychological fiction
From that day on, since he was a composer, he set himself to composing.
Before he had even learned to write, he continued to cipher crotchets and
quavers on scraps of paper, which he tore from the household account-books.
But in the effort to find out what he was thinking, and to set it down in
black and white, he arrived at thinking nothing, except when he wanted to
think something. But he did not for that give up making musical phrases,
and as he was a born musician he made them somehow, even if they meant
nothing at all. Then he would take them in triumph to his grandfather, who
wept with joy over them--he wept easily now that he was growing old--and
vowed that they were wonderful.
All this was like to spoil him altogether. Fortunately, his own good sense
saved him, helped by the influence of a man who made no pretension of
having any influence over anybody, and set nothing before the eyes of the
world but a commonsense point of view. This man was Louisa's brother.
Like her, he was small, thin, puny, and rather round-shouldered. No one
knew exactly how old he was; he could not be more than forty, but he looked
more than fifty. He had a little wrinkled face, with a pink complexion, and
kind pale blue eyes, like faded forget-me-nots. When he took off his cap,
which he used fussily to wear everywhere from his fear of draughts, he
exposed a little pink bald head, conical in shape, which was the great
delight of Jean-Christophe and his brothers. They never left off teasing
him about it, asking him what he had done with his hair, and, encouraged by
Melchior's pleasantries, threatening to smack it. He was the first to laugh
at them, and put up with their treatment of him patiently. He was a
peddler; he used to go from village to village with a pack on his back,
containing everything--groceries, stationery, confectionery, handkerchiefs,
scarves, shoes, pickles, almanacs, songs, and drugs. Several attempts had
been made to make him settle down, and to buy him a little business--a
store or a drapery shop. But he could not do it. One night he would get up,
push the key under the door, and set off again with his pack. Weeks and
months went by before he was seen again. Then he would reappear. Some
evening they would hear him fumbling at the door; it would half open, and
the little bald head, politely uncovered, would appear with its kind eyes
and timid smile. He would say, "Good-evening, everybody," carefully wipe
his shoes before entering, salute everybody, beginning with the eldest, and
go and sit in the most remote corner of the room. There he would light his
pipe, and sit huddled up, waiting quietly until the usual storm of
questions was over. The two Kraffts, Jean-Christophe's father and
grandfather, had a jeering contempt for him. The little freak seemed
ridiculous to them, and their pride was touched by the low degree of the
peddler. They made him feel it, but he seemed to take no notice of it, and
Public-domain text, read in full here on John Shaqi.
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