The rest of the house might be rat-ridden and desolate. The coulee
might wear always the look of emptiness; but here, under the bluff by
the spring, and in the room Jean called hers, one felt the air of
occupancy that gave the lie to all around it.
When she rode around the bold, out-thrust shoulder of the hill which
formed the western rim of the coulee, and went loping up the trail to
where the barbed-wire gate stopped her, you would have said that Jean
had not a trouble to call her own. She wore her old gray Stetson
pretty well over one eye because of the sun-glare, and she was riding
on one stirrup and letting the other foot swing free, and she was
whirling her quirt round and round, cartwheel fashion, and whistling an
air that every one knows,--and putting in certain complicated
variations of her own.
At the gate she dismounted without ever missing a note, gave the warped
stake a certain twist and jerk which loosened the wire loop so that she
could slip it easily over the post, passed through and dragged the gate
with her, dropping it flat upon the ground beside the trail. There was
no stock anywhere in the coulee, and she would save a little trouble by
leaving the gate open until she came out on her way home. She stepped
aside to inspect the meadow lark's nest cunningly hidden under a wild
rosebush, and then mounted and went on to the stable, still whistling
carelessly.
She turned Pard into the shed where she invariably left him when she
came to the Lazy A, and went on up the grass-grown path to the house.
She had the preoccupied air of one who meditates deeply upon things
apart; as a matter of fact, she had glanced down the coulee to its
wide-open mouth, and had thrilled briefly at the wordless beauty of the
green spread of the plain and the hazy blue sweep of the mountains, and
had come suddenly into the poetic mood. She had even caught a
phrase,--"The lazy line of the watchful hills," it was,--and she was
trying to fit it into a verse, and to find something beside "rills"
that would rhyme with "hills."
She followed the path absent-mindedly to where she would have to turn
at the corner of the kitchen and go around to the door of her own room;
and until she came to the turn she did not realize what was jarring
vaguely and yet insistently upon her mood. Then she knew; and she
stopped full and stared down at the loose sand just before the warped
kitchen steps. There were footprints in the path,--alien footprints;
and they pointed toward that forbidden door into the kitchen of
gruesome memory. Jean looked up frowning, and saw that the door had
been opened and closed again carelessly. And upon the top step, strange
feet had pressed a little caked earth carried from the trail where she
stood. There were the small-heeled, pointed prints of a woman's foot,
and there were the larger tracks of a man,--a man of the town.
Public-domain text, read in full here on John Shaqi.
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