Among the most beautiful, as well as the most common, of the
marine animals which are to be met with upon our coasts are the
jelly-fish and the star-fish. Scarcely any one is so devoid of the
instincts either of the artist or of the naturalist as not to have
watched these animals with blended emotions of the æsthetic and the
scientific--feeling the beauty while wondering at the organization.
How many of us who live for most of the year in the fog and dust
of large towns enjoy with the greater zest our summer's holiday
at the seaside? And in the memories of most of us is there not
associated with the picture of breaking waves and sea-birds floating
indifferently in the blue sky or on the water still more blue, the
thoughts of many a ramble among the weedy rocks and living pools,
where for the time being we all become naturalists, and where those
who least know what they are likely to find in their search are
most likely to approach the keen happiness of childhood? If so, the
image of the red sea-stars bespangling a mile of shining sand, or
decorating the darkness of a thousand grottoes, must be joined with
the image, no less vivid, of those crystal globes pulsating with life
and gleaming with all the colours of the rainbow, which are perhaps
the most strange, and certainly in my estimation the most delicately
lovely creatures in the world.
It is with these two kinds of creatures that the present work is
concerned, and if it seems almost impious to lay the "forced fingers
rude" of science upon living things of such exquisite beauty, let
it be remembered that our human nature is not so much out of joint
that the rational desire to know is incompatible with the emotional
impulse to admire. Speaking for myself, I can testify that my
admiration of the extreme beauty of these animals has been greatly
enhanced--or rather I should say that this extreme beauty has been,
so to speak, revealed--by the continuous and close observation which
many of my experiments required: both with the unassisted eye and
with the microscope numberless points of detail, unnoticed before,
became familiar to the mind; the forms as a whole were impressed upon
the memory; and, by constantly watching their movements and changes
of appearance, I have grown, like an artist studying a face or a
landscape, to appreciate a fulness of beauty, the _esse_ of which
is only rendered possible by the _per cipi_ of such attention as is
demanded by scientific research. Moreover, association, if not the
sole creator, is at least a most important factor of the beautiful;
and therefore the sight of one of these animals is now much more to
me, in the respects which we are considering, than it can be to any
one in whose memory it is not connected with many days of that purest
form of enjoyment which can only be experienced in the pursuit of
science.
Public-domain text, read in full here on John Shaqi.
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