Adultery -- Fiction; Artists -- Fiction; Illegitimate children -- Fiction; Painters -- Fiction; Young women -- Fiction
JENNY
THE BORZOI-GYLDENDAL BOOKS
The firm of Gyldendal [Gyldendalske Boghandel Nordisk Forlag] is the
oldest and greatest publishing house in Scandinavia, and has been
responsible, since its inception in 1770, for giving to the world some of
the greatest Danish and Norwegian writers of three centuries. Among them
are such names as Ibsen, Bjørnstjerne Bjørnson, Pontoppidan, Brandes,
Gjellerup, Hans Christian Andersen, and Knut Hamsun, the Nobel Prize
winner for 1920, whose works I am publishing in America.
It is therefore with particular satisfaction that I announce the
completion of arrangements whereby I shall bring out in this country
certain of the publications of this famous house. The books listed below
are the first of the _Borzoi-Gyldendal_ books.
The Sworn Brothers
A Tale of the Early Days of Iceland. Translated from the Danish
of Gunnar Gunnarsson [Icelandic] by C. Field and W. Emmé.
Grim: the Story of a Pike
Translated from the Danish of Svend Fleuron by Jessie Muir and
W. Emmé.
Illustrated in black and white by Dorothy P. Lathrop.
Jenny
ALFRED A. KNOPF, _Publisher_, NEW YORK
JENNY
_A NOVEL_
TRANSLATED FROM
THE NORWEGIAN OF
SIGRID UNDSET
BY W. EMMÉ
[Illustration]
NEW YORK
ALFRED · A · KNOPF
1921
COPYRIGHT, 1921, BY
ALFRED A. KNOPF, INC.
PRINTED IN THE UNITED STATES OF AMERICA
PART ONE
I
As Helge Gram turned the corner into Via Condotti in the dusk a military
band came down the street playing “The Merry Widow” in such a crazy,
whirling time that it sounded like wild bugle calls. The small, dark
soldiers rushed past in the cold afternoon, more like a Roman cohort
intent on attacking barbarian hosts than peaceful men returning to their
barracks for supper. That was perhaps the cause of their haste, Helge
thought, smiling to himself, for as he stood there watching them, his
coat-collar turned up for the cold, a peculiar atmosphere of history had
pervaded him—but suddenly he found himself humming the same tune, and
continued his way in the direction where he knew the Corso lay.
He stopped at the corner and looked. So that was the Corso—an endless
stream of carriages in a crowded street, and a surging throng of people
on a narrow pavement.
Public-domain text, read in full here on John Shaqi.
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