Adultery -- Fiction; Artists -- Fiction; Illegitimate children -- Fiction; Painters -- Fiction; Young women -- Fiction
At the back of her room was a neat doll’s-house kitchen with red brick
floor, opening into the back yard, where the widow’s chickens were
cackling and the pigeons cooing. A small passage ran through the house;
on the farther side Mrs. Rasmussen had her parlour, with flower-pots in
the window and crochet work everywhere, daguerreotypes and photographs
on the walls, and a book-case with religious books in black paper
covers, bound volumes of periodicals, and a few novels. At the back was
a small room where she slept, and where the air was always heavy with an
indefinable odour, though everything in the room was spotlessly clean.
She could not hear in there if her boarder on the other side of the
passage spent a night now and again in tears.
Mrs. Rasmussen was not so bad, on the whole. Tall and lanky, she pattered
about in some kind of felt slippers, always with a worried look on
her long yellow face, which was rather like that of a horse and had
straggling grey hair combed back from it, forming quaint little wings
over the ears. She scarcely ever spoke, save for an anxious question as
to whether the lady was pleased with the room or the food, and when Jenny
went to sit in the parlour with her needlework they were both perfectly
quiet. Jenny was specially grateful to the woman for not mentioning her
condition; only once when she went out with her painting paraphernalia
did Mrs. Rasmussen ask her anxiously if she did not think it unwise. She
had worked hard at first, standing behind a stone fence with her field
easel, which threatened to be upset every instant by the wind.
Below the stone fence the stubby rye field sloped towards a swamp where
the bog bean round the bluish water pools was whitening, and velvety
black peat stacks stood piled on the grass. Beyond the swamp were the
chalk-white peasants’ huts set in rich dark green groves and surrounded
by meadows, stubbed rye fields, and turnip land as far as the water’s
edge. The beach was cut into tiny bays and points, the sand and the short
dried grass making it look a whitish yellow. To the north a heather-brown
hill with a windmill on top sloped down towards the bay. Light and shadow
flitted alternately over the landscape as the clouds travelled across the
wide, ever restless sky.
Public-domain text, read in full here on John Shaqi.
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